Usha Seturaman's ' "Gurupaduka Stothram" was released on its scheduled release date, July 18, 1998. This song is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The song is number 3 out of 11 in Bhakthi Manjari by Usha Seturaman. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Gurupaduka Stothram's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Gurupaduka Stothram by Usha Seturaman is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sambo Sankara | Udaiyalur Kalyanaraman | E♭ Major | 2 | 5B | 108 BPM | ||
| Sundara Kandam | Vidyabhushana | D♭ Major | 5 | 3B | 125 BPM | ||
| Vinayaka | Jyothsna, Radhika | E♭ Minor | 5 | 2A | 150 BPM | ||
| Jaya Krishna Mukunda | Swami Swatmaramananda | B Major | 6 | 1B | 100 BPM | ||
| Guru Ashtakam | T. S. Aswini Sastry, T. S. Rohini Sastry | B♭ Major | 5 | 6B | 148 BPM | ||
| Durga Sukhtam | Sri Hari Atchuta Rama Sastry | C Major | 2 | 8B | 134 BPM | ||
| Yajnavalkya Krta Soorya Kavacham | Dr. R. Thiagarajan | A♭ Major | 5 | 4B | 94 BPM | ||
| Ganga Dharay Shiv | Tanvi Senjaliya | F♯ Major | 1 | 2B | 131 BPM | ||
| Shankar Aarti | Ketan Patwardhan | F Major | 4 | 7B | 95 BPM | ||
| Hanuman Badabanala Stotram | Taanaswaram | F♯ Major | 1 | 2B | 113 BPM | ||
| Paatu | Suresam | A♭ Major | 1 | 4B | 136 BPM | ||
| Hatkeshwar Stuti | Abhay Anjariya, Dhara Mankad, Shailesh Pandya | D♭ Major | 5 | 3B | 100 BPM | ||
| Sri Subrahmanya Bhujanga Stothram | Sri Brahmasri Sankara Sasthri, Sri Bharadhwaja Sasthri | A Major | 4 | 11B | 83 BPM | ||
| Soorya Mangalam | Dr. R. Thiagarajan | A♭ Major | 5 | 4B | 94 BPM | ||
| Parvathy Nandana | Udaiyalur Kalyanaraman | F♯ Major | 7 | 2B | 145 BPM | ||
| śraddhā sūktam | Shantala Sriramaiah | F Major | 0 | 7B | 135 BPM | ||
| Duttachi Aarti | Pradnya Annam | B♭ Major | 7 | 6B | 170 BPM | ||
| Soorya Ashtakam | Dr. R. Thiagarajan | C Major | 5 | 8B | 101 BPM | ||
| Maha Sudarshana Mantram | Bhandhavi | A♭ Minor | 3 | 1A | 82 BPM | ||
| Vinayaka Vinayaka - Natai - Adi | Udaiyalur Kalyanaraman | D♭ Major | 8 | 3B | 115 BPM | ||
| Radhe Shyam Radhe Shyam | Swami Swatmaramananda | D♭ Major | 7 | 3B | 103 BPM | ||
| Sri Batuka Bhairava Kavacham | Bhandhavi | A♭ Major | 3 | 4B | 92 BPM | ||
| Aanjaneyar Gayathri | Sivapuranam D. V. Ramani | F Major | 6 | 7B | 88 BPM | ||
| Achyutashtakam For Feminine Balance | Dr. Balaji Tambe, Sanjeev Abhyankar | D♭ Major | 0 | 3B | 78 BPM | ||
| Ganesh Atharvashirsha | Chanting India, Parul Mishra | G Major | 2 | 9B | 136 BPM |