Messiah, Pt. 3: 54. Chorus "Worthy Is the Lamb" by George Frideric Handel, Dunedin Consort, John Butt Song Details

George Frideric Handel, Dunedin Consort, John Butt's 'Messiah, Pt. 3: 54. Chorus "Worthy Is the Lamb"' had a release date set for November 1, 2006. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Dunedin Consort, John Butt's "Handel: Messiah (Dublin Version, 1742)" album is number 25 out of 57. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah, Pt. 3: 54. Chorus "Worthy Is the Lamb" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Messiah, Pt. 3: 54. Chorus "Worthy Is the Lamb" by George Frideric Handel, Dunedin Consort, John Butt to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 8%
Loudness: -14.167 dB
Acousticness: 96%
Danceability: 45%
Energy: 29%
Instrumentalness: 0%
Liveness: 16%
Loudness: 76%
Speechiness: 3%
Valence: 26%

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