Urvashi Mehta, Hetal, Vaishali's ' "Maru Vanravan Chhe Rudu" was released on its scheduled release date, July 29, 2001. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Maru Vanravan Chhe Rudu's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Maru Vanravan Chhe Rudu and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. Based on our statistics, Maru Vanravan Chhe Rudu's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maru Vanravan Chhe Rudu by Urvashi Mehta, Hetal, Vaishali to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sharhad Tujhe Pranam | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Vagad Ni Vate | Kiran Gadhvi | A♭ Major | 10 | 4B | 145 BPM | ||
| Non Stop Dandiya, Pt. 1 | Kishore Manraja, Falguni Pathak | G Minor | 9 | 6A | 87 BPM | ||
| Mavadi Bholi Bhavani | Urvashi Mehta, Vaishali Mehta | F♯ Minor | 7 | 11A | 154 BPM | ||
| Zini Moraliyu Vage Che | Rasmita Rabari | E♭ Major | 7 | 5B | 114 BPM | ||
| Chelda O Chelda | Urvashi Mehta, Hetal, Vaishali | F♯ Minor | 8 | 11A | 83 BPM | ||
| Beero Bhat Bharan Ne Aayo | Seema Mishra | A Major | 7 | 11B | 148 BPM | ||
| Tu Kaline Kaliyani | Niranjan Pandya, Bhavana Labadiya | G Minor | 5 | 6A | 167 BPM | ||
| Namah Shivaya | Vikram Hazra | E Minor | 9 | 9A | 111 BPM | ||
| Tu Maro Ram Tu Maro Shyam (From "Jindgi Jivi Le") | Vikram Thakor, Nayna Sharma, Advin Vaz, Bharat Rami | G Major | 6 | 9B | 83 BPM | ||
| Bhoothanaadha Sadhanandha - Ayyappa | Unnikrishnan, Haripriya, ANU, Rakshita | A Major | 4 | 11B | 105 BPM | ||
| Hoon To Gai Thi Mele | Falguni Pathak, Sudesh Bhosle | B Minor | 8 | 10A | 167 BPM | ||
| Gokul Ni Govalan | Rasmita Rabari | B♭ Major | 9 | 6B | 210 BPM | ||
| Mara Haiya Ma Tu Mara Manada Ma Tu | Hetal Dave, Urvashi Mehta, Prasad Thakar | F♯ Minor | 7 | 11A | 154 BPM | ||
| Aa Mitha Wagarna Anvar | Arvind Barot, Sadhana Sargam | D♭ Major | 6 | 3B | 110 BPM | ||
| Man Mandir Mein | Lata Mangeshkar | E♭ Major | 7 | 5B | 171 BPM | ||
| O Saibaji O Saibaji | Alka Yagnik | C Major | 10 | 8B | 126 BPM | ||
| Deshi 02 | Vijay Shiholi, Manish Thakor | D Major | 10 | 10B | 125 BPM | ||
| Mathura Me Krishna Krishna | Ravindra Jain | F♯ Major | 6 | 2B | 90 BPM | ||
| Prem Gori Taro Kem Kari Bhulay | Vikram Thakor, Dipalee Somaiya Date, Nayan Rathod | F♯ Major | 7 | 2B | 96 BPM | ||
| Zulan Morli Vagi Re | Urvashi Mehta, Vaishali, Hetal | F♯ Minor | 7 | 11A | 154 BPM | ||
| Prabhu Mangu Tari Pas | Kishore Manraja | F Major | 7 | 7B | 100 BPM | ||
| Jhilan Tara Pani | Mittal Rabari, Vanita Patel | E Minor | 10 | 9A | 206 BPM | ||
| Tari Yaado Ma Jindgi Javani | Vikram Thakor, Dipalee Somaiya Date | B Major | 7 | 1B | 82 BPM | ||
| Jay Jay Maharani Yamuna | Asif Jeriya, Meenakshi Vadher | E♭ Minor | 4 | 2A | 132 BPM |