Mario Lanza's 'Addio a la madre - Remastered' had a release date set for October 3, 2020. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 99 in Anthology: The Deluxe Collection (Remastered) by Mario Lanza. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Addio a la madre - Remastered is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Addio a la madre - Remastered by Mario Lanza is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Pearl Fishers Duet - Remastered, Radio Edit | Rhydian | E♭ Major | 4 | 5B | 169 BPM | ||
| Celeste Aida (from Aida) | Mario Lanza | D Major | 5 | 10B | 171 BPM | ||
| The Yellow Rose of Texas | michael holliday | G Major | 4 | 9B | 95 BPM | ||
| Amapola | Tito Schipa | D Major | 1 | 10B | 75 BPM | ||
| Beautiful Love | Mario Lanza, Ray Sinatra | F Minor | 4 | 4A | 86 BPM | ||
| Trial by Jury: Where Is the Plaintiff? | Gilbert & Sullivan Society of Houston | F Major | 2 | 7B | 99 BPM | ||
| Song on the Sand (La Da Da Da) | Gene Barry, Original Broadway Cast of La Cage Aux Folles | B Major | 1 | 1B | 79 BPM | ||
| The Wedding (La Novia) | Anita Bryant | D♭ Minor | 2 | 12A | 130 BPM | ||
| Written on the Wind | The Four Aces | G Major | 3 | 9B | 86 BPM | ||
| Till | Roger Williams | D Major | 1 | 10B | 182 BPM | ||
| Another Autumn - From 'Paint Your Wagon' | Eddie Fisher | E Minor | 3 | 9A | 86 BPM | ||
| The lost chord - 1970 Recording | Arthur Sullivan, Stuart Burrows, John Constable | F Major | 2 | 7B | 79 BPM | ||
| My Wild Irish Rose | Mario Lanza | A♭ Major | 3 | 4B | 82 BPM | ||
| Madonna fiorentina | Leo Nucci, Salotto Ottocento Ensemble | D♭ Major | 2 | 3B | 175 BPM | ||
| Cindy Oh Cindy | Eddie Fisher | D♭ Minor | 2 | 12A | 130 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| I'll Be Seeing You | Anne Shelton | F Minor | 2 | 4A | 165 BPM | ||
| The Northen Lights Of Old Aberdeen | Kenneth McKellar | E♭ Major | 2 | 5B | 69 BPM | ||
| Macushla | John McCormack | E♭ Major | 2 | 5B | 131 BPM | ||
| Verdi: Il trovatore, Act 3: "Di quella pira" (Manrico, Ruiz, Leonora, Chorus) | Giuseppe Verdi, Thomas Schippers, Angelo Mercuriali, Franco Corelli, Gabriella Tucci, Orchestra Del Teatro Dell'Opera Di Roma | C Major | 4 | 8B | 59 BPM | ||
| Torna a Surriento (Come Back to Sorrento) | Mario Lanza, Ray Sinatra | E Major | 3 | 12B | 180 BPM | ||
| Santa Lucia | Theodoro Cottrau, Enrico Caruso, Bianculli, Walter B. Rogers | G Minor | 4 | 6A | 90 BPM | ||
| Look Around (And You'll Find Me There) | Vince Hill | D♭ Major | 5 | 3B | 85 BPM | ||
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
| Fedora, Act II: Amor ti vieta | Umberto Giordano, Mario Lanza, Ray Heindorf | C Major | 3 | 8B | 86 BPM |