"Morning Post Rain" by Belle Chen had its release date on November 27, 2020. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Morning Post Rain's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Belle Chen's "Late Night Sessions: At Home" album is number 2 out of 6. Morning Post Rain is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Morning Post Rain by Belle Chen to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waltz for Nowhere | Danny Norbury | G Major | 2 | 9B | 164 BPM | ||
| Tegel | Lambert | D♭ Major | 1 | 3B | 84 BPM | ||
| Between the Land and Sea | Belle Chen | A Major | 1 | 11B | 82 BPM | ||
| Première arabesque | Héloïse de Jenlis | A♭ Major | 0 | 4B | 87 BPM | ||
| Op. 4 No. 2 – Allegretto | Milenna Jovic | C Major | 0 | 8B | 82 BPM | ||
| Piano Sonata "To the Victims of Auschwitz": II. Epitaph. Andante teneramente | Agi Jambor, Sarah Cahill | C Minor | 2 | 5A | 105 BPM | ||
| Nocturne in E Minor | Jacob LaVallee | E Minor | 2 | 9A | 99 BPM | ||
| Moonrise | Belle Chen | A♭ Major | 1 | 4B | 110 BPM | ||
| Memories of a Promenade II | Modest Mussorgsky, Vivan Bhatti, Ketan Bhatti, Olga Scheps, Flying Steps | C Minor | 0 | 5A | 72 BPM | ||
| Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
| After Night's Music Box Movement 1 | J.K. Hodge | E♭ Major | 1 | 5B | 127 BPM | ||
| Hydrochorie - Live - Arr. for Piano Solo | Guillaume Ferran | C Minor | 1 | 5A | 91 BPM | ||
| Tales "Skazki", Op. 26: III. Narrante a piacere | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
| The Coward | Yos Munro | B♭ Minor | 1 | 3A | 164 BPM | ||
| Whiteout | Luka Tibet | C Minor | 1 | 5A | 91 BPM | ||
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
| Head Perfume | Bach | G Minor | 0 | 6A | 68 BPM | ||
| Aflame (Mvt. 6) | Erland Cooper, Belle Chen | C Major | 6 | 8B | 147 BPM | ||
| The Moon Represents My Heart - Arr. by Belle Chen | Weng Ching-Hsi, Belle Chen | C Major | 0 | 8B | 116 BPM | ||
| F Major | Hania Rani | B♭ Minor | 0 | 3A | 142 BPM | ||
| Ravel: Jeux d'eau, M. 30 | Maurice Ravel, Bertrand Chamayou | F♯ Minor | 1 | 11A | 97 BPM | ||
| Static Dream Pavane | Takashi Yoshimatsu, Pascal Rogé | E Minor | 0 | 9A | 67 BPM | ||
| Bagatellen: IV | Valentin Silvestrov | D♭ Major | 0 | 3B | 67 BPM | ||
| Jeunes Filles Au Jardin | Federico Mompou, Belle Chen | E♭ Major | 0 | 5B | 69 BPM | ||
| Passages of Time | Belle Chen | C Minor | 1 | 5A | 127 BPM |