Mary Gauthier's ' "Sugar Cane" was released on its scheduled release date, June 27, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 11 in Filth & Fire by Mary Gauthier. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Sugar Cane's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sugar Cane by Mary Gauthier is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Karla Faye | Mary Gauthier | E♭ Major | 2 | 5B | 136 BPM | ||
| Gone Away from Me | Holly Williams, Jackson Browne | E Major | 5 | 12B | 83 BPM | ||
| Between The Daylight And The Dark | Mary Gauthier | E Major | 3 | 12B | 122 BPM | ||
| Broken Telephone | The Be Good Tanyas | C Major | 3 | 8B | 77 BPM | ||
| Dancing With The Women At The Bar | Whiskeytown | A Minor | 5 | 8A | 125 BPM | ||
| Independent Thief | Kathleen Edwards | B♭ Minor | 7 | 3A | 150 BPM | ||
| The Way It Dimmed | Amanda Shires | D♭ Minor | 10 | 12A | 101 BPM | ||
| Wrapped | Kelly Willis | F Major | 7 | 7B | 117 BPM | ||
| Wilder Than Her | Fred Eaglesmith | F Major | 2 | 7B | 150 BPM | ||
| Iowa (Traveling, Pt. 3) | Dar Williams | B♭ Major | 2 | 6B | 84 BPM | ||
| What They Say | Chris Smither | D Major | 6 | 10B | 83 BPM | ||
| Hey Ho | Tracy Grammer | A♭ Major | 4 | 4B | 98 BPM | ||
| Lonely Still | Jesse Sykes & The Sweet Hereafter, The Sweet Hereafter | G Major | 5 | 9B | 117 BPM | ||
| Dry My Tears And Move On | Richard Thompson | A Major | 4 | 11B | 79 BPM | ||
| Just By Myself | Greg Brown | G Major | 2 | 9B | 122 BPM | ||
| Drunken Barber's Hand | Slaid Cleaves | E Minor | 5 | 9A | 158 BPM | ||
| Human Thing | The Be Good Tanyas | A♭ Major | 2 | 4B | 145 BPM | ||
| Evangeline | Mary Gauthier | C Major | 4 | 8B | 132 BPM | ||
| Sure As Shit | Kathleen Edwards | G Minor | 3 | 6A | 139 BPM | ||
| Motorcycle | Jade Jackson | B Minor | 5 | 10A | 125 BPM | ||
| The War After the War | Mary Gauthier | G Major | 4 | 9B | 132 BPM | ||
| Only Once | Maria McKee | D Major | 5 | 10B | 128 BPM | ||
| If I Wrote You | Dar Williams | D Major | 3 | 10B | 85 BPM | ||
| Long Time Comin' | John Hiatt | E♭ Major | 4 | 5B | 81 BPM | ||
| Down To Believing | Allison Moorer | C Major | 4 | 8B | 197 BPM |