Ramaiah Muthuswamy, Latha Walpola, Karunaratne Abeysekera, Dharmadasa Walpola's ' "Oba Mage Loke" was released on its scheduled release date, October 22, 1964. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Sasaraka Hati". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sri Lanka. Based on our statistics, Oba Mage Loke's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Oba Mage Loke by Ramaiah Muthuswamy, Latha Walpola, Karunaratne Abeysekera, Dharmadasa Walpola having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chhariya Jeyo Na Aar | Manabendra Mukherjee | A Minor | 6 | 8A | 121 BPM | ||
| Hoova Tanniri | Chorus | D Minor | 3 | 7A | 102 BPM | ||
| Duwillen Seduna Liye | Premasiri Khemadasa, Pradeepa Dharmadasa, Jayantha Chandrasiri | D♭ Major | 4 | 3B | 151 BPM | ||
| Sanda Komalee | Ramaiah Muthuswamy, Latha Walpola, W Benedict Fernando | D♭ Minor | 3 | 12A | 80 BPM | ||
| Commentry And Na Jane Kidhar Aaj Meri Nao | Ashok Kumar, Ameen Sayani, Saraswati Devi | D Major | 3 | 10B | 88 BPM | ||
| Vaara Banthamma Shanivaara | B. R. Chaya | D♭ Major | 9 | 3B | 169 BPM | ||
| Mere Mann Ka Papiha | Sarika Kapoor, Surinder Kohli | F♯ Minor | 5 | 11A | 152 BPM | ||
| Sithaka Hati | Ramaiah Muthuswamy, Christy Leonard, A J De Soysa, Mallika Kahawita | C Major | 8 | 8B | 81 BPM | ||
| Dam Dam Dam Damroo Baje - Shiv Stuti | Hari Om Sharan | E Major | 6 | 12B | 89 BPM | ||
| Iqrar Mein Karti Hoon | Salma Agha, Mehdi Hassan | C Major | 6 | 8B | 78 BPM | ||
| Ore Smarannadir Pare | Arundhati Holme Chowdhury, Salil Chowdhury | B♭ Major | 4 | 6B | 118 BPM | ||
| Swarnakkodi | P. Jayachandran, P. Madhuri, Sreekanth | D♭ Major | 8 | 3B | 130 BPM | ||
| Samay Ka Panchhi Udta Jaye | Mahendra Kapoor, Asad Bhopali | D Major | 3 | 10B | 136 BPM | ||
| Hridayer Byatha Biraher Katha | Bhupen Hazarika | E Major | 4 | 12B | 122 BPM | ||
| Apon Manush Chena Dai Re | Sukumar Baul | A♭ Major | 6 | 4B | 146 BPM | ||
| Nannalli Ninnal | Rajkumar | D♭ Minor | 10 | 12A | 115 BPM | ||
| Nee Kondaku Neeve | Ghantasala | F♯ Major | 1 | 2B | 134 BPM | ||
| Shabnam Ke Ansoo Phool Par | Talat Aziz | E Minor | 4 | 9A | 138 BPM | ||
| Hatot Tamul Loi | Dr Anima Choudhury, Tarali Sarma, Nitumoni Bora, Nirmali Das | A Minor | 9 | 8A | 140 BPM | ||
| Humne dekha hamne paya | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Mere Chhail Chhabile Romeo | Sm. Kaushalya, Rami, Romeo | A Minor | 4 | 8A | 129 BPM | ||
| Hada Wila Kalabana | Nanda Malini, Dharmasiri Gamage | B♭ Minor | 4 | 3A | 80 BPM | ||
| Sri Manjunatha | Dr.Rajkumar | F Minor | 7 | 4A | 142 BPM | ||
| Dil He | S. P. Venkatesh, S. P. Balasubrahmanyam | G Major | 7 | 9B | 114 BPM | ||
| Aiyata Me Rajage | Ramaiah Muthuswamy, Baby Dorrin, Karunaratne Abeysekera, Master Morrington | G Major | 3 | 9B | 94 BPM |