Offenbach: Pariser Leben: Akt II, Entr'acte mit Dialog by Jacques Offenbach, Munich Radio Orchestra, Willy Mattes Song Details

Jacques Offenbach, Munich Radio Orchestra, Willy Mattes's ' "Offenbach: Pariser Leben: Akt II, Entr'acte mit Dialog" was released on its scheduled release date, 1983. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Offenbach: Pariser Leben (Cologne Collection)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. The popularity of Offenbach: Pariser Leben: Akt II, Entr'acte mit Dialog is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With Offenbach: Pariser Leben: Akt II, Entr'acte mit Dialog by Jacques Offenbach, Munich Radio Orchestra, Willy Mattes having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -7.561 dB
Acousticness: 69%
Danceability: 42%
Energy: 58%
Instrumentalness: 0%
Liveness: 28%
Loudness: 87%
Speechiness: 23%
Valence: 43%

Recommendations

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Hungarian Dance No. 1 in G Minor: Allegro molto	Johannes Brahms, London Festival Orchestra, Alfred Scholz	G Minor	1	6A	91 BPM
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Orphée aux enfers: Can-can (Featured in "Peter's Friends")	Jacques Offenbach, Slovak State Philharmonic Orchestra, Johannes Wildner	D Major	4	10B	146 BPM
Romance No. 2 In F Major, Op. 50	Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven	F Major	1	7B	88 BPM
Le roi s'amuse: Pavane	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	B♭ Major	0	6B	91 BPM
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Offenbach: Robinson Crusoë, Act 2: Valse. "Conduisez-moi vers celui que j'adore" (Chœur, Edwige)	Jacques Offenbach, Natalie Dessay, Les Éléments, Michel Plasson, Orchestre Du Capitole De Toulouse	A Major	2	11B	100 BPM
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini"	Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni	A Major	1	11B	75 BPM
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Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: III. Allegro	Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock	B Major	3	1B	112 BPM
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice)	Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon	C Major	1	8B	106 BPM
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Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM
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Offenbach: Orphée aux enfers, Act 2: Duo de la mouche. "Il m'a semblé sur mon épaule" (Eurydice, Jupiter)	Jacques Offenbach, Marc Minkowski, Laurent Naouri, Natalie Dessay, Orchestre de Chambre de Grenoble, Orchestre de l'Opéra de Lyon	F Major	1	7B	75 BPM
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