Happy Rhodes's 'The Wretches Gone Awry' had a release date set for February 14, 1986. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Wretches Gone Awry's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rhodes I". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, The Wretches Gone Awry is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Wretches Gone Awry by Happy Rhodes having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Vampire | Buffy Sainte-Marie | D♭ Major | 1 | 3B | 97 BPM | ||
| On the Horizon | Locust | D Major | 2 | 10B | 91 BPM | ||
| The Swan | Julee Cruise | E♭ Minor | 1 | 2A | 174 BPM | ||
| I'll Gather Flowers | Area | A Major | 2 | 11B | 104 BPM | ||
| Parallelograms | Linda Perhacs | F Major | 2 | 7B | 110 BPM | ||
| Blank Sheets | bel canto | A Minor | 5 | 8A | 137 BPM | ||
| Reaching From Nowhere | Milla Jovovich | G Major | 3 | 9B | 148 BPM | ||
| You Can't Kill Me | Lene Lovich | G Major | 6 | 9B | 133 BPM | ||
| The Magpies in Picardy | James Garland, Ellen Steward | C Major | 4 | 8B | 120 BPM | ||
| Part of My Make-Up | Roger Doyle | E♭ Major | 3 | 5B | 139 BPM | ||
| Don't Fade Away | Milla Jovovich | G Major | 7 | 9B | 144 BPM | ||
| One More Colour | Jane Siberry | G Major | 6 | 9B | 113 BPM | ||
| On the Boundary - 2017 Remaster; Remastered | Y Kant Tori Read | D♭ Minor | 7 | 12A | 74 BPM | ||
| No Stars | Rebekah Del Rio | E♭ Major | 3 | 5B | 120 BPM | ||
| There Are Loves | Operating Theatre | A♭ Minor | 2 | 1A | 124 BPM | ||
| Blue Lagoon | Laurie Anderson | F Major | 2 | 7B | 170 BPM | ||
| A Day, a Night | Virginia Astley | G Major | 2 | 9B | 108 BPM | ||
| Illusory Me | Love Spirals Downwards | C Minor | 5 | 5A | 82 BPM | ||
| Everyone Is Good | The Roches | C Major | 5 | 8B | 98 BPM | ||
| Questions | Annette Peacock | G Major | 2 | 9B | 106 BPM | ||
| Big Science | Laurie Anderson | G Major | 2 | 9B | 74 BPM | ||
| Bound by the Beauty | Jane Siberry | E Major | 5 | 12B | 163 BPM | ||
| Darkness Has Reached It's End | Virginia Astley | E Major | 3 | 12B | 151 BPM | ||
| We Crossed The Atlantic | Hydroplane | A Minor | 2 | 8A | 84 BPM | ||
| The Girl with the Fairytale Dream | Locust | A♭ Minor | 6 | 1A | 135 BPM |