"The City Is Still Made of Our Flesh" by Rael Jones had its release date on May 19, 2017. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rael Jones's "Harlots (Original Television Soundtrack)" album is number 51 out of 54. On top of that, United Kingdom appears to be the country where this track was created. The City Is Still Made of Our Flesh is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The City Is Still Made of Our Flesh by Rael Jones to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Van Der Luydens | Elmer Bernstein | F Major | 3 | 7B | 99 BPM | ||
| Cornelia and Eli | Federico Jusid | F Minor | 0 | 4A | 81 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| A Corker of a Corker | Christopher Willis | A Minor | 4 | 8A | 132 BPM | ||
| Walking On Water | George Fenton | B♭ Major | 0 | 6B | 79 BPM | ||
| Love At Last | Jordan Seigel | A♭ Major | 1 | 4B | 120 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| Claiming the Letters | Dominik Scherrer | D Minor | 1 | 7A | 106 BPM | ||
| Nice to Meet You Diary | Kostas Christides | G Major | 0 | 9B | 175 BPM | ||
| The Murder at the Vicarage - A Summer's Day | Dominik Scherrer | F Major | 2 | 7B | 97 BPM | ||
| The Vilest Sin | Rael Jones | F♯ Major | 5 | 2B | 156 BPM | ||
| Soaring over Hogwarts | J Scott Rakozy, Hogwarts Legacy | G Major | 3 | 9B | 87 BPM | ||
| Shelagh Gives Birth | Maurizio Malagnini | C Major | 2 | 8B | 90 BPM | ||
| Once Again on the Bridge | Maurizio Malagnini | D Major | 0 | 10B | 183 BPM | ||
| Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
| I Believe She's Ready | Hannes De Maeyer | E Major | 1 | 12B | 159 BPM | ||
| The True Meaning of Love | Maurizio Malagnini | F Major | 1 | 7B | 175 BPM | ||
| This City Is Ours | Rael Jones | G Major | 2 | 9B | 70 BPM | ||
| She Said to Dream Big | Kris Bowers | C Minor | 1 | 5A | 80 BPM | ||
| Sand Between Stars | Joseph R Dolan, Ghibli | A Major | 3 | 11B | 142 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| The Renaissance Suite: IV. PASSACAGLIA in Klimt Gold | Julie Cooper, Camilla Pay, Oculus Ensemble, Jessica Cottis | G Minor | 1 | 6A | 131 BPM | ||
| A Proper Angel | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| The Guernsey Literary And Potato Peel Pie Society | Alexandra Harwood | G Major | 2 | 9B | 116 BPM |