Path Of Destruction - Re:Destroyed by Apoptygma Berzerk
Technomancer, Apoptygma Berzerk
Path Of Destruction
5:36 November 15, 2013
BPM
130
Key
C Major
Camelot
8B

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Path Of Destruction - Re:Destroyed by Apoptygma Berzerk by Technomancer, Apoptygma Berzerk Song Details

Technomancer, Apoptygma Berzerk's 'Path Of Destruction - Re:Destroyed by Apoptygma Berzerk' had a release date set for November 15, 2013. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 5 in the song's album "Path Of Destruction". In this album, this song's track order is #2. Based on our statistics, Path Of Destruction - Re:Destroyed by Apoptygma Berzerk's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With Path Of Destruction - Re:Destroyed by Apoptygma Berzerk by Technomancer, Apoptygma Berzerk having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-10.564 dB
Acousticness
0%
Danceability
74%
Energy
57%
Instrumentalness
76%
Liveness
29%
Loudness
82%
Speechiness
4%
Valence
26%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records