Pink Anderson & Simmie Dooley, Simmie Dooley, Pink Anderson's ' "Every Day In The Week Blues" was released on its scheduled release date, May 22, 2006. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Every Day In The Week Blues's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Times Ain't Like They Used To Be: Early American Rural Music, Vol. 4". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Every Day In The Week Blues is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Every Day In The Week Blues by Pink Anderson & Simmie Dooley, Simmie Dooley, Pink Anderson having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Daddy's Calling Me | Irene Scruggs | C Major | 2 | 8B | 82 BPM | ||
| Kill It Kid - Bonus Track | Blind Willie McTell | F♯ Major | 5 | 2B | 120 BPM | ||
| Chain Gang Blues | Ma Rainey | B Major | 1 | 1B | 71 BPM | ||
| Searching The Desert For The Blues | Blind Willie McTell | F Major | 2 | 7B | 94 BPM | ||
| You Gonna Take Sick and Die | Boyd Rivers | E Major | 3 | 12B | 150 BPM | ||
| Rope Stretching Blues, Pt. 1 | Blind Blake | G Major | 6 | 9B | 178 BPM | ||
| Rag, Mama, Rag | Blind Boy Fuller | G Major | 4 | 9B | 117 BPM | ||
| Believe Could Be Everything | The Last River Bottomed Fig Plucker | G Major | 1 | 9B | 171 BPM | ||
| Sad makeup | Lusa Sarne | F Major | 5 | 7B | 120 BPM | ||
| God Don't Never Change | Blind Willie Johnson | C Major | 1 | 8B | 167 BPM | ||
| 32-20 Blues | Robert Johnson | A Major | 1 | 11B | 181 BPM | ||
| C.C. And O. Blues | Pink Anderson & Simmie Dooley | F♯ Minor | 3 | 11A | 93 BPM | ||
| I'm Going To Brownsville - Remastered 2025 | Furry Lewis | C Major | 1 | 8B | 91 BPM | ||
| Cruel Papa But A Good Man To Have Around | Irene Scruggs | C Major | 2 | 8B | 78 BPM | ||
| Paul And Silas In Jail | Washington Phillips | F♯ Major | 1 | 2B | 102 BPM | ||
| Black Cat Blues | Memphis Minnie | E♭ Major | 2 | 5B | 121 BPM | ||
| Sundown | Clifton Hicks | A Major | 4 | 11B | 102 BPM | ||
| Greeting Call | Enoch Brown | B♭ Major | 0 | 6B | 90 BPM | ||
| Stack O'Lee | Mississippi John Hurt | E♭ Major | 1 | 5B | 108 BPM | ||
| Early Morning Blues | William Harris | F Minor | 1 | 4A | 105 BPM | ||
| Cool Drink Of Water | Houston Stackhouse | F Major | 1 | 7B | 175 BPM | ||
| High Water Everywhere - Part 1 - Alternate Take | Charley Patton | B Major | 1 | 1B | 71 BPM | ||
| Baby You Gotta Change Your Mind | Blind Boy Fuller | F Minor | 4 | 4A | 105 BPM | ||
| Good Road Camp Blues | Skip James | A Major | 1 | 11B | 100 BPM | ||
| We Are Free | John S Comeaux | B♭ Major | 2 | 6B | 110 BPM |