On August 12, 2016, the song "Chale Hai Sudama" was released by Damodar Rao. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Yasoda Ke Nand Lal by Damodar Rao. The song's track number on the album is #1 out of 8 tracks. Based on our statistics, Chale Hai Sudama's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Chale Hai Sudama by Damodar Rao has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Chale Hai Sudama being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naihar Mein Bichhilaai Paiyan | Madan Rai | F♯ Minor | 5 | 11A | 160 BPM | ||
| Ala Ola O Gori | Dukalu Yadav | F Minor | 9 | 4A | 131 BPM | ||
| Gire La Pani Chuhela Chani Re | Kishan Sen, Purnima Gayakwad | A♭ Minor | 8 | 1A | 95 BPM | ||
| Dhan Barse Dhan Barse | Sanjay Mittal | D♭ Major | 6 | 3B | 147 BPM | ||
| Bhool Aabe Re | Alka Chandrakar | F Minor | 7 | 4A | 123 BPM | ||
| Bin Bajiye Ja Sapure | Sadhana Sargam | G Major | 5 | 9B | 152 BPM | ||
| Khamma Dhaniya Padharo Mhare | Gopal Bajaj | F Minor | 9 | 4A | 128 BPM | ||
| Pecham Dharam Mein | Gopal Bajaj | B♭ Major | 9 | 6B | 96 BPM | ||
| Arti Kijiye Hanuman | Damodar Rao | F Major | 6 | 7B | 100 BPM | ||
| Jo Ram Naam Gud Gayega | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Maa Asuron Ko Sanhaari | Mousmi, Kumar Vishu, Mina Rana, Damodar Rao | G Major | 3 | 9B | 103 BPM | ||
| Baras Baras Ho Kari Badariya | Madan Rai | D♭ Major | 6 | 3B | 101 BPM | ||
| Geree Geree Birkha Bhaiya | Prakash Mali | D♭ Major | 6 | 3B | 95 BPM | ||
| Mami Nanda | Prakash Gandhi, Priya Prajapat | A♭ Major | 8 | 4B | 150 BPM | ||
| Mor Dai Navdurga | Alka Chandrakar | G Major | 8 | 9B | 93 BPM | ||
| পিরিত কাঁঠালের আঠা | Rakhi Dasi Baul | D Minor | 9 | 7A | 87 BPM | ||
| Pat Khulte Hi Maai Musukai Lee | Bharat Sharma Vyas | G Minor | 5 | 6A | 123 BPM | ||
| Shiv Charcha Geet - bhojpuri | Appi Prarthi | D♭ Major | 5 | 3B | 105 BPM | ||
| Atka Sundar Tor Roop He Ram Ji | Hiresh Sinha, Jiteshwari Sinha | G Major | 6 | 9B | 126 BPM | ||
| Hay Re Kalindar Chani | Gorelal Barman | F♯ Major | 6 | 2B | 172 BPM | ||
| JO TO BOLU LAGLA SAIBABA | Sachidanand Appa | D♭ Minor | 9 | 12A | 112 BPM | ||
| Kahan Kho Gaya Manka Meet | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| Pyar Jabse Milal Ba | Priyanka Singh, Damodar Rao | G Minor | 9 | 6A | 81 BPM | ||
| Naka Lau Tumhi Ladi Godi | Shakuntala Jadhav | D♭ Minor | 5 | 12A | 99 BPM | ||
| Laharawathe Jawara | Dukalu Yadav | B Major | 9 | 1B | 153 BPM |