"Octagonal Room: VI. Quarter Note = 52" by Lars Hegaard, Jesper Sivebæk, Alba String Quartet had its release date on March 19, 2021. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Octagonal Room". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Octagonal Room: VI. Quarter Note = 52's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Octagonal Room: VI. Quarter Note = 52 by Lars Hegaard, Jesper Sivebæk, Alba String Quartet having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| プレリュード | YOSHIHIRO KANNO | G Major | 0 | 9B | 70 BPM | ||
| 18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
| Astral Dance | Kira Nebula | A♭ Minor | 8 | 1A | 104 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | D♭ Major | 0 | 3B | 83 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Syrinx, L. 129 | Claude Debussy, James Galway, Marisa Robles, Graham Oppenheimer, Chamber Orchestra of Europe | C Major | 1 | 8B | 79 BPM | ||
| Images, 1ère Suite, Op. 29: III. Lolita la danseuse | Marcel Tournier, Chantal Mathieu | A Major | 0 | 11B | 103 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | ||
| Ravel: Berceuse sur le nom de Fauré, M. 74 | Maurice Ravel, Jean-Jacques Kantorow, Jacques Rouvier | F♯ Major | 0 | 2B | 151 BPM | ||
| Sakura Song (Arr. for Bass Clarinet & Piano) | Yosuke Fukuda, Yoshiyuki Funaki, Nao Noshiro | C Minor | 0 | 5A | 82 BPM | ||
| Sonata for Flute, Viola & Harp, CD 145: I. Pastorale. Lento, dolce rubato | Claude Debussy, Kim Kashkashian, Sivan Magen, Marina Piccinini | F Major | 0 | 7B | 113 BPM | ||
| Ambient Voices: IV. Sad Story | Lars Hegaard, Danish Chamber Players, Henrik Vagn Christensen | D♭ Major | 2 | 3B | 86 BPM | ||
| Altar de cuerda: III. Maya déco | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas | B♭ Major | 5 | 6B | 129 BPM | ||
| Iridescence | Jörgen Dafgård, Anders Paulsson | D Major | 1 | 10B | 80 BPM | ||
| Debussy: Sonata for Flute, Viola and Harp, CD 145, L. 137: II. Interlude. Tempo di minuetto | Claude Debussy, Emmanuel Pahud, Gérard Caussé, Marie-Pierre Langlamet | F♯ Major | 0 | 2B | 139 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: III. Adagio | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | A Minor | 0 | 8A | 86 BPM | ||
| Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
| Haro no Umi (for Violin and Harp) | Michio Miyagi, Gidon Kremer, Naoko Yoshino | A Minor | 1 | 8A | 127 BPM | ||
| Double Bass Sonata: III. Adagio | Henry Eccles, Ferenc Csontos, Balazs Szokolay | D Major | 1 | 10B | 106 BPM | ||
| Rhapsody No. 1, BB 94a: Prima Parte 'Lassu': Moderato | Béla Bartók, György Pauk, Jenő Jandó | D Minor | 0 | 7A | 101 BPM | ||
| Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | ||
| Románc (Arr. for Cello & String Orchestra by Mariusz Smolij) | Eugene Zador, Richard Rozsa, MÁV Symphony Orchestra, Budapest, Mariusz Smolij | F Major | 2 | 7B | 93 BPM | ||
| Reflection, Op. 31a | Oliver Knussen, Tamsin Waley-Cohen, Huw Watkins | D♭ Major | 0 | 3B | 83 BPM | ||
| Everything I Wanted - Arr. for Oboe and Chamber Orchestra by Juri Vallentin | Juri Vallentin, Ensemble Reflektor | F♯ Minor | 1 | 11A | 128 BPM |