Aníbal Troilo, Nelly Vazquez's ' "Barrio de Tango" was released on its scheduled release date, 1995. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Barrio de Tango's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 10 in Barrio de Tango by Aníbal Troilo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Barrio de Tango is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Barrio de Tango by Aníbal Troilo, Nelly Vazquez is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trenzas | Orquesta Típica Andariega, Marisol Martinez | A Minor | 4 | 8A | 86 BPM | ||
| Champagne tango | Orquesta Carlos di Sarli | E Major | 5 | 12B | 120 BPM | ||
| Una Vez | Orquesta Tipica Victor | G Major | 2 | 9B | 125 BPM | ||
| Torrente | Lucio Demare, Horacio Quintana | F♯ Minor | 2 | 11A | 121 BPM | ||
| Todo Es Amor - Tango | Rodolfo Biagi y su orquesta | A Major | 5 | 11B | 124 BPM | ||
| Somos Como Somos | Eladia Blazquez | C Major | 3 | 8B | 81 BPM | ||
| No Te Apures Cara Blanca | Lucio Demare, Juan Carlos Miranda | D Major | 2 | 10B | 126 BPM | ||
| Porque La Quise Tanto | Miguel Montero, Mariano Mores | A Minor | 2 | 8A | 85 BPM | ||
| Madreselva | Angel D'Agostino, Ángel Vargas | C Major | 4 | 8B | 100 BPM | ||
| Dandy | Osvaldo Pugliese y su Orquesta | G Major | 3 | 9B | 122 BPM | ||
| Adoración | Alfredo Gobbi | C Major | 4 | 8B | 100 BPM | ||
| No Estamos Solos | José García Y Sus Zorros Grises | C Major | 4 | 8B | 100 BPM | ||
| El Viejo Vals | Hyperion Ensemble, Ruben Peloni, Hernan Godoy | D Minor | 6 | 7A | 105 BPM | ||
| Cristal | La Auténtica Milonguera | B♭ Major | 2 | 6B | 127 BPM | ||
| La Abandone Y No Sabía | Osvaldo Pugliese, Roberto Chanel | G Minor | 2 | 6A | 114 BPM | ||
| Ninguna - Alternate Take | Ricardo Malerba | C Major | 4 | 8B | 100 BPM | ||
| No Hay Tierra Como la Mia | Francisco Lomuto, Jorge Omar | C Major | 4 | 8B | 100 BPM | ||
| Samaritana | Los Provincianos | C Minor | 4 | 5A | 89 BPM | ||
| Mala Pinta | Julio De Caro | A♭ Major | 2 | 4B | 122 BPM | ||
| De Tardecita | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Major | 4 | 9B | 133 BPM | ||
| Mimi Pinson (with Gran Orquesta Típica OTRA) | Omar Mollo, Gran Orquesta Típica OTRA | G Major | 4 | 9B | 102 BPM | ||
| Tormenta | Francisco Lomuto y su Orquesta Típica | B Minor | 4 | 10A | 132 BPM | ||
| En Otros Caminos | Osvaldo Pugliese, Osvaldo Pugliese y su Orquesta | F♯ Minor | 3 | 11A | 115 BPM | ||
| Arrabalera | Quinteto Pirincho | B♭ Minor | 6 | 3A | 101 BPM | ||
| Cristal | Aníbal Troilo, Alberto Marino | D Major | 4 | 10B | 122 BPM |