David Sills, Jake Reed, Mike Scott, Roger Shew's 'Along Came Betty' had a release date set for November 13, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 10 in First Set by David Sills. Based on our statistics, Along Came Betty's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Along Came Betty by David Sills, Jake Reed, Mike Scott, Roger Shew is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deep Night | Henry Albert Trio | F♯ Major | 1 | 2B | 58 BPM | ||
| The Innovator | Niko de Oro | D♭ Major | 3 | 3B | 143 BPM | ||
| A Wink and a Smile | Jazzaphonics | A Minor | 2 | 8A | 93 BPM | ||
| Soft Winds | Lars Hoeren | D Major | 6 | 10B | 90 BPM | ||
| Blues On The Corner | Fionn Flowers Quartet | A♭ Major | 4 | 4B | 116 BPM | ||
| Sibilla Cumana | Erodoto Project | A♭ Major | 2 | 4B | 86 BPM | ||
| Brass After Midnight - Jazz Version | Between Silences, Across the Brass | A♭ Major | 2 | 4B | 86 BPM | ||
| There's No You | David Sills | F Major | 1 | 7B | 93 BPM | ||
| Judicious | Saphena Trio | C Major | 2 | 8B | 128 BPM | ||
| Letters from the Past, Pt. II | YIW | G Minor | 3 | 6A | 137 BPM | ||
| Hollow Visions | AethericArtisan | E Minor | 3 | 9A | 87 BPM | ||
| Tarde | César Cardoso, Bruno Santos, Demian Cabaud, André Sousa Machado | F♯ Major | 3 | 2B | 132 BPM | ||
| Where The Beauty Begins | JAZZ SUP, PATCH STREET | E♭ Major | 4 | 5B | 94 BPM | ||
| Nocturne Escape | Jazz Cafè | C Minor | 3 | 5A | 120 BPM | ||
| Knife Edge Waltz | Blue Matchbox | E Minor | 3 | 9A | 79 BPM | ||
| Blue Pillars | JUTESETS | F Major | 5 | 7B | 120 BPM | ||
| April in Paris | Armel Dupas Trio | G Major | 2 | 9B | 82 BPM | ||
| Somewhere My Love | one sound | G Minor | 6 | 6A | 140 BPM | ||
| Easy Livin' | C.O.D.J | C Major | 3 | 8B | 102 BPM | ||
| Antigua Villa | Cubalibre Jazz | D Minor | 3 | 7A | 174 BPM | ||
| Lucky Am I | Larry Goldings, Harry Allen | F Major | 3 | 7B | 140 BPM | ||
| On Green Dolphin Street | David Sills | C Major | 1 | 8B | 80 BPM | ||
| Marc's Bloesje | L'Equipe Lab | F♯ Major | 7 | 2B | 144 BPM | ||
| Jazz for Rainy Windows | Dolce Vita | F Major | 3 | 7B | 128 BPM | ||
| We'll Be Together Again | Alan Broadbent, Larry Koonse, Joe LaBarbera, Darek Oleszkiewicz, David Sills | A♭ Major | 3 | 4B | 120 BPM |