Paul Pritchard's ' "Meet Me at Midnight" was released on its scheduled release date, September 25, 2010. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Meet Me at Midnight's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Pritchard's "Love and Other Distractions" album is number 14 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Meet Me at Midnight's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Meet Me at Midnight by Paul Pritchard to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Catch | Christopher Young | A♭ Minor | 1 | 1A | 123 BPM | ||
| Nuit sur les Champs-Élysées - Take 2 - Bande originale du film "Ascenseur pour l'échafaud" | Miles Davis | D Minor | 1 | 7A | 65 BPM | ||
| Vallée Noire | Manet | E♭ Minor | 1 | 2A | 135 BPM | ||
| Come Home Again | Buddy Childers, The Russ Garcia Strings | G Minor | 1 | 6A | 143 BPM | ||
| Ulterior Motives | autoisolation | C Major | 1 | 8B | 95 BPM | ||
| Smokey Sax | Hollywood Trailer Music Orchestra | B♭ Minor | 1 | 3A | 181 BPM | ||
| Nature Boy | Enrico Rava, Ran Blake | E♭ Major | 2 | 5B | 135 BPM | ||
| Desert Wind | Trigg & Gusset | D Minor | 3 | 7A | 160 BPM | ||
| Radio Silence | Joel Fausto & Illusion Orchestra | F♯ Major | 4 | 2B | 90 BPM | ||
| I Won't Give You Up | Almost Here | E Major | 2 | 12B | 79 BPM | ||
| Torched Song (feat. the Real Tuesday Weld) | Claudia Brücken, The Real Tuesday Weld | G Minor | 1 | 6A | 65 BPM | ||
| A Lovely Way To Spend An Evening - Remastered 2008/Rudy Van Gelder Edition | Curtis Fuller | F Major | 2 | 7B | 117 BPM | ||
| Methro Nome | Povarovo | E Minor | 0 | 9A | 102 BPM | ||
| Dance of the Dream Man - Instrumental | Angelo Badalamenti | F Minor | 2 | 4A | 110 BPM | ||
| Frog Men | Gerhard Trede, THE GERHARD TREDE FILM ORCHESTRA | D Minor | 4 | 7A | 99 BPM | ||
| Last Known Spy | Trigg & Gusset | C Major | 2 | 8B | 109 BPM | ||
| Main Title (from "Taxi Driver") | Bernard Herrmann | C Major | 2 | 8B | 80 BPM | ||
| The Story of Ann | Lowering | E Major | 4 | 12B | 130 BPM | ||
| Karin | Bohren & Der Club Of Gore | F Minor | 0 | 4A | 100 BPM | ||
| Asa Nisi Masa | Les Deux Love Orchestra | F Minor | 1 | 4A | 79 BPM | ||
| The Bed | Herbie Hancock | D♭ Major | 0 | 3B | 65 BPM | ||
| Winter | Franz Liszt, Solveig Funseth | C Major | 0 | 8B | 105 BPM | ||
| Koto Song | The Dave Brubeck Quartet | B♭ Minor | 1 | 3A | 110 BPM | ||
| Norwegian Horror Saga | Manet | G Minor | 1 | 6A | 76 BPM | ||
| Nevalyashka | Fogh Depot | A♭ Major | 2 | 4B | 170 BPM |