On November 9, 2022, the song "Ano Jesane Ri Dham" was released by Prakash Mali. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The track order of this song in Prakash Mali's "Jasol Ri Dhaniyani" album is number 35 out of 40. On top of that, India appears to be the country where this track was created. The popularity of Ano Jesane Ri Dham is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ano Jesane Ri Dham by Prakash Mali to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gehri Narbada N Gehro Pani | Maa Narmada Bhajan | Ashwin Yadav | F♯ Major | 9 | 2B | 75 BPM | ||
| Tumhe Jal Chadaye Sawere Sawere | Bittu maharaj | G Major | 6 | 9B | 130 BPM | ||
| Nandadeep Mazya Tevato Antari | Omkar Mahadik | B♭ Minor | 9 | 3A | 125 BPM | ||
| O Papi Mann Karle Bhajan - Hindi | Lokendra Chaudhary | E Major | 8 | 12B | 100 BPM | ||
| Om Jai Ajmal Lala (Aarti) | Gopal Bajaj | A♭ Major | 5 | 4B | 87 BPM | ||
| Itne Ram Kaha Se Lau | Moinudin Manchala | F Major | 7 | 7B | 82 BPM | ||
| Mewadi Ratan (Maharana Partap ) | Leela Ratnu | E♭ Minor | 8 | 2A | 117 BPM | ||
| Jwala Mai | Abhishek Soni | E♭ Major | 9 | 5B | 84 BPM | ||
| Kab Se Khada Hu Tere Dwar Pe Sanwra | Mukesh Mahadeva | F Minor | 9 | 4A | 176 BPM | ||
| Kahi Parwat Jhuke Bhi Hai | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Mara Sawariya Sirmor Mira Ke Nand Kishore | gokul sharma | G Major | 10 | 9B | 150 BPM | ||
| Chata Teri Teen Lok Se Nayari Hain | Sadhvi Purnima Ji | F Minor | 9 | 4A | 140 BPM | ||
| Jaagi Jaagi Diwla Ri Jyota Jagi Maa | Shyam Paliwal | A♭ Major | 8 | 4B | 100 BPM | ||
| Mane Sawara Roop Dikha De | Moinuddin Manchala, Prakash Mali | E Major | 10 | 12B | 111 BPM | ||
| Bhar Bhar Pichkari | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Hare Ke Sahare | Adhishta Anushka | F Major | 4 | 7B | 120 BPM | ||
| Kalka Maa Tere Mandir Ka Ajab Nazara | Deshpal Milakh | A♭ Major | 9 | 4B | 154 BPM | ||
| Nadol Ri Ashapura Mata | Bhanwar Rao, Gunesh Giri Maharaj, Prakash Mali, Ramesh Mali, Kushal Barath | D Major | 7 | 10B | 96 BPM | ||
| Teri Sharan Mein Aa Karke | Hare Madhav Official | E♭ Major | 8 | 5B | 108 BPM | ||
| Mehandipur Ke Dham Chalenge | Narender Kaushik | F♯ Major | 8 | 2B | 137 BPM | ||
| Picham Dhara Su Mhara Pirji Padhariya | Prakash Mali | B♭ Minor | 8 | 3A | 91 BPM | ||
| Sugnaa Ra Aansuda Punchya | Prakash Mali, Mahendra Singh, Daksha Prajapati | A Minor | 9 | 8A | 102 BPM | ||
| Hamaro Dhan Radha Shree Radha Shree Radha | Shakti Singh | D♭ Major | 8 | 3B | 90 BPM | ||
| Patang Udao Ji | Sanjay Mukundgarh, Minakshi Rathore | B♭ Major | 9 | 6B | 156 BPM | ||
| Ke Ghatt Jaga Bala Ji | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | F Major | 9 | 7B | 125 BPM |