On December 12, 2025, the song "PROUD TO BE SELF-HATING (irony and provocation)" was released by Peter Perrett. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since PROUD TO BE SELF-HATING (irony and provocation) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, PROUD TO BE SELF-HATING (irony and provocation)'s popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With PROUD TO BE SELF-HATING (irony and provocation) by Peter Perrett having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Little Balloon | BRNDA | A Major | 7 | 11B | 136 BPM | ||
| Lillie - Single Edit | Bill Pritchard | G Major | 5 | 9B | 117 BPM | ||
| Press Coverage | Laika Songs | G Major | 4 | 9B | 143 BPM | ||
| I would be in love anyway | Peter Pain | B♭ Major | 6 | 6B | 95 BPM | ||
| I'm Not Like Everybody Else | The Damned | G Major | 5 | 9B | 117 BPM | ||
| Scream, If You Want To Go Faster | The Wedding Present | C Major | 3 | 8B | 121 BPM | ||
| Heart Full of Soul | The Damned | G Major | 5 | 9B | 117 BPM | ||
| They Keep Trying To Find You | Bonnie Prince Billy | B♭ Minor | 6 | 3A | 150 BPM | ||
| Oh, My Sitter | Jesse Sykes & The Sweet Hereafter, Marissa Nadler | G Major | 2 | 9B | 99 BPM | ||
| Afternoons | The Apartments, Peter Milton Walsh | E Major | 5 | 12B | 151 BPM | ||
| How the Story Ends | The Notwist | G Major | 5 | 9B | 117 BPM | ||
| Intoxicated | Caitlin and Brent, Brent Amaker and the Rodeo | A Minor | 6 | 8A | 116 BPM | ||
| No Parlez | Anthony Moore, AKA & Friends | B Minor | 3 | 10A | 170 BPM | ||
| The Salt Flats | Tenderness | G Major | 5 | 9B | 117 BPM | ||
| Wasting My Time | Guest | A♭ Minor | 7 | 1A | 105 BPM | ||
| Song For Langston Birch | Damien Jurado | G Major | 4 | 9B | 133 BPM | ||
| If You Were To Ask | SunYears, de clair., Peter Morén | A Minor | 5 | 8A | 119 BPM | ||
| A Vision of Grace | The Saints | C Major | 5 | 8B | 96 BPM | ||
| Carousel | Peter Perrett | D Major | 3 | 10B | 112 BPM | ||
| I Can't Address It | Wedgy | G Major | 5 | 9B | 117 BPM | ||
| Edge of Darkness | Jeremy Ivey | F Major | 6 | 7B | 129 BPM | ||
| Falmouth Electrics | Half Man Half Biscuit | G Major | 9 | 9B | 146 BPM | ||
| Believe Me | The Man From Delmonte | G Major | 7 | 9B | 102 BPM | ||
| Winter’s Sigh | Ed Harcourt | A Minor | 4 | 8A | 97 BPM | ||
| The Last Time | The Damned | G Major | 5 | 9B | 117 BPM |