The Georgia Mass Choir's ' "Come On In The Room" was released on its scheduled release date, October 4, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in The Georgia Mass Choir's "Hold On, Help Is On The Way" album is number 4 out of 14. On top of that, United States appears to be the country where this track was created. Come On In The Room is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Come On In The Room by The Georgia Mass Choir to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Just Want to Praise You | Maurette Brown Clark | D♭ Major | 9 | 3B | 107 BPM | ||
| Goin' Up Yonder | Tramaine Hawkins | D♭ Major | 6 | 3B | 104 BPM | ||
| Work It Out | Evelyn Turrentine-Agee | D♭ Major | 8 | 3B | 80 BPM | ||
| Lord, Don't Move The Mountain | Inez Andrews | D♭ Major | 6 | 3B | 86 BPM | ||
| I'm Still Holding On | Luther Barnes, The Red Budd Gospel Choir | A♭ Major | 6 | 4B | 121 BPM | ||
| A Testimony | Rodnie Bryant & CCMC | F♯ Minor | 6 | 11A | 84 BPM | ||
| We Shall Behold Him | Vickie Winans | G Minor | 8 | 6A | 114 BPM | ||
| Helen's Testimony | Helen Baylor | D Major | 2 | 10B | 81 BPM | ||
| Pass Me Not | Douglas Miller, The True Way Choir C.O.G.I.C. | F Major | 8 | 7B | 162 BPM | ||
| I Love to Praise Him | Tim Rogers & The Fellas | D Major | 9 | 10B | 146 BPM | ||
| Take It Back | Dorinda Clark-Cole | B♭ Minor | 10 | 3A | 105 BPM | ||
| All Night | Alvin Darling & Celebration | D♭ Major | 8 | 3B | 126 BPM | ||
| Try Jesus | Troy Ramey | D Major | 8 | 10B | 110 BPM | ||
| I Understand | Smokie Norful | A♭ Major | 6 | 4B | 122 BPM | ||
| Come On In the Room | The Georgia Mass Choir | D Minor | 5 | 7A | 82 BPM | ||
| Near The Cross | Dorothy Norwood | F Major | 7 | 7B | 76 BPM | ||
| How Excellent Is Your Name | The Florida Mass Choir | C Major | 8 | 8B | 90 BPM | ||
| You've Been So Faithful | Eddie James & The Phoenix Mass Choir | E♭ Minor | 8 | 2A | 89 BPM | ||
| Communion Medley - Pt. 2/Live | West Angeles Cogic Mass Choir And Congregation | B♭ Major | 7 | 6B | 165 BPM | ||
| Jesus Saves v1.1 | Douglas Miller | F Minor | 4 | 4A | 103 BPM | ||
| You Can Make It | Alvin Darling & Celebration | B Major | 4 | 1B | 176 BPM | ||
| God's Got Me (feat. Min. Tim White ) | Dexter Walker & Zion Movement, Min. Tim White | A Major | 7 | 11B | 158 BPM | ||
| He's Done Enough - Live | Beverly Crawford | A♭ Major | 9 | 4B | 143 BPM | ||
| The Presence of the Lord Is Here | Byron Cage | D♭ Major | 9 | 3B | 143 BPM | ||
| Lord Do It For Me | Alvin Darling & Celebration | A♭ Major | 7 | 4B | 120 BPM |