David Porter's ' "Ooo-Wee Girl" was released on its scheduled release date, 1971. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Porter's "Into A Real Thing" album is number 2 out of 6. Ooo-Wee Girl is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ooo-Wee Girl by David Porter to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Super Good | Myra Barnes | A Major | 6 | 11B | 96 BPM | ||
| Too Many Hands | Otis Clay | E Major | 5 | 12B | 95 BPM | ||
| Get Up And Get Down | The Dramatics | D♭ Minor | 7 | 12A | 100 BPM | ||
| Born to Lose You | Ecstasy, Passion & Pain | C Minor | 4 | 5A | 124 BPM | ||
| Do It Again | The New Birth | A Minor | 7 | 8A | 130 BPM | ||
| Ain't That Loving You (For More Reasons Than One) | Isaac Hayes, David Porter | G Major | 6 | 9B | 119 BPM | ||
| Before the Night Is Over | Joe Simon | D♭ Major | 0 | 3B | 212 BPM | ||
| Move Over | The Soul Children | D♭ Major | 4 | 3B | 141 BPM | ||
| Euphrates | The Main Ingredient | E♭ Major | 6 | 5B | 83 BPM | ||
| The Breakdown - Pt. 2 | Rufus Thomas | A Minor | 8 | 8A | 99 BPM | ||
| Getting It On | Leroy Hutson | A Minor | 5 | 8A | 143 BPM | ||
| Peace Of Mind | S.O.U.L. | F Minor | 6 | 4A | 91 BPM | ||
| The Breakdown - Pt. 1 | Rufus Thomas | A Minor | 8 | 8A | 97 BPM | ||
| What's Good For You (Don't Have To Be Good To You) | Harvey Scales | B Major | 7 | 1B | 97 BPM | ||
| Interlude VII | David Porter | A♭ Major | 7 | 4B | 77 BPM | ||
| A Love That's Worth Having | Willie Hutch | G Minor | 6 | 6A | 176 BPM | ||
| The Greatest Love | Lee Dorsey | C Major | 2 | 8B | 77 BPM | ||
| I Get My Groove From You | Bobby Patterson | G Major | 6 | 9B | 83 BPM | ||
| Clean Up America | Z.Z. Hill | B♭ Major | 6 | 6B | 168 BPM | ||
| Problems | Lee Fields & The Expressions, Lee Fields | E♭ Minor | 7 | 2A | 86 BPM | ||
| Stop, Look, Listen (To Your Heart) | The New Birth | C Minor | 3 | 5A | 135 BPM | ||
| Come On Back | J.J. Barnes | D Minor | 6 | 7A | 117 BPM | ||
| You're Gonna Need Me | Dionne Warwick | F♯ Minor | 6 | 11A | 167 BPM | ||
| Hot Pants In The Summertime | The Dramatics | D♭ Major | 7 | 3B | 149 BPM | ||
| Don't Leave Me Lonely | King Floyd | C Minor | 6 | 5A | 131 BPM |