"Bess, You Is My Woman Now" by George Gershwin & Adele Addison & Robert McFerrin had its release date on June 12, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100% Classical Classics, so we believe that "Bess, You Is My Woman Now" is a single. Bess, You Is My Woman Now is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bess, You Is My Woman Now by George Gershwin & Adele Addison & Robert McFerrin is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pasadena | Al Jolson | F Major | 2 | 7B | 102 BPM | ||
| Cabaret: Finale | John Kander, Cabaret Ensemble, Harold Hastings | D Major | 2 | 10B | 83 BPM | ||
| 5. Climbing over rocky mountain | Arthur Sullivan, Pauline Wales, Jean Allister, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | B♭ Major | 2 | 6B | 114 BPM | ||
| West Side Story: IV. The Dance at the Gym - Meeting Scene | Leonard Bernstein, Nina Bernstein, Alexander Bernstein | A Minor | 0 | 8A | 85 BPM | ||
| Gabriel's Letter / My First Woman | Jerry Christakos, Anthony Crivello | E Major | 1 | 12B | 135 BPM | ||
| Everything | Matthew Gray | F♯ Minor | 1 | 11A | 183 BPM | ||
| Bon Voyage | The "Anything Goes" 2003 Ensemble | A♭ Major | 8 | 4B | 129 BPM | ||
| My Ship | Ira Gershwin, Kurt Weill, Dawn Upshaw | F Major | 1 | 7B | 169 BPM | ||
| I Can't Be Bothered Now | Kirby Ward, The "Crazy for You" Female Ensemble | D Major | 4 | 10B | 102 BPM | ||
| Beautiful Girl | David Lucas, Singin' in the Rain 2012 London Cast Company | F Major | 5 | 7B | 96 BPM | ||
| Sing For Your Supper | Original Broadway Cast "Boys From Syracuse" | G Minor | 3 | 6A | 155 BPM | ||
| Ain't Misbehavin' / Lookin' Good But Feelin' Bad / 'Tain't Nobody's Biz-ness If I Do | André DeShields, Nell Carter, Ain't Misbehavin' Ensemble, Armelia McQueen, Ken Page, Charlaine Woodard | G Minor | 2 | 6A | 128 BPM | ||
| The End of a Love Affair | Phillip Officer | D Major | 2 | 10B | 73 BPM | ||
| The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)* | Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner | G Major | 2 | 9B | 89 BPM | ||
| What More Can I Say? | William Finn | C Major | 1 | 8B | 81 BPM | ||
| Wouldn't It Be Loverly (From 'My Fair Lady') | Martine McCutcheon | F Major | 2 | 7B | 119 BPM | ||
| Sunny Side Up | Chick Endor | F Major | 2 | 7B | 120 BPM | ||
| Eastwick Knows | Sarah Lark, Rosemary Ashe, Lucie Arnaz, Joanna Riding, Maria Friedman, The "Witches of Eastwick" Ensemble | E Major | 3 | 12B | 129 BPM | ||
| Arlen / Arr. Chaplin: Get Happy (From "Summer Stock") | The John Wilson Orchestra, John Wilson | D Major | 5 | 10B | 170 BPM | ||
| Forty Second Street Finale (From "42nd Street") | West End Concert Orchestra | A Minor | 3 | 8A | 170 BPM | ||
| Ragtime | Nicholas Rose, Ragtime Ensemble (1996) | B♭ Major | 2 | 6B | 114 BPM | ||
| West Side Story: I. Prologue | Leonard Bernstein, Leonard Bernstein Orchestra | E Major | 1 | 12B | 66 BPM | ||
| Two of a Kind | Raymond Jaramillo McLeod, Jennifer Cody | A Minor | 4 | 8A | 133 BPM | ||
| Where Will You Stand When the Flood Comes? | John Leslie Wolfe, Herndon Lackey, John Hickok, Evan Pappas, Parade Ensemble | A Major | 6 | 11B | 172 BPM | ||
| Cocktail Counterpoint | Jerry Herman, Kelsey Grammer, A.J. Shively, Elena Shaddow, Veanne Cox, Fred Applegate, Robi De Jesus | A♭ Major | 5 | 4B | 128 BPM |