"Input Data" by Wide Waters had its release date on October 4, 2019. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Input Data's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 6 in Among the Pines by Wide Waters. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Input Data is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Input Data by Wide Waters is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cold Shores | Elm Lake | E♭ Major | 2 | 5B | 109 BPM | ||
| Cascades | Stef.N, Little Symphony | A Minor | 1 | 8A | 126 BPM | ||
| Steps | One Hundred Years | D Major | 2 | 10B | 69 BPM | ||
| Harbor | Broken Peak | E♭ Major | 2 | 5B | 75 BPM | ||
| Cycles | Wide Waters | C Major | 1 | 8B | 65 BPM | ||
| Hold Fast | Josh Parsons | E Major | 2 | 12B | 71 BPM | ||
| story : departure | Flica | E Major | 1 | 12B | 92 BPM | ||
| All Quiet | Wide Waters | A Major | 5 | 11B | 114 BPM | ||
| Coffe First | Sorth | A Minor | 0 | 8A | 72 BPM | ||
| Adrift | Sleeping Streets, Oscar Kowalski | F Major | 1 | 7B | 120 BPM | ||
| Between | Jonathan Hannau, Sleeping Streets | C Major | 0 | 8B | 67 BPM | ||
| into the night | ambients. | C Major | 1 | 8B | 87 BPM | ||
| Embers Still Burn | Some Were At Sea | A Major | 3 | 11B | 140 BPM | ||
| The Northern Seas | Kieldfal | C Major | 3 | 8B | 106 BPM | ||
| Piano Sighs Under Ambient Skies | Float State, Phil Larson | C Major | 1 | 8B | 77 BPM | ||
| The Last Sunset | Signa | G Major | 1 | 9B | 102 BPM | ||
| Lost in Summer | Matooma, Trevor Kowalski | D♭ Major | 1 | 3B | 58 BPM | ||
| Over the Rainbow. | Metadream | G Minor | 3 | 6A | 130 BPM | ||
| To Begin Again | Clarico | D♭ Major | 2 | 3B | 133 BPM | ||
| And into the Forest I Go, To Lose My Mind and Find My Soul | Wide Waters | E Major | 3 | 12B | 120 BPM | ||
| Midnight Firefly | August Wilhelmsson | D♭ Major | 2 | 3B | 95 BPM | ||
| Mirror on the Water | Svein Fjeld | D Major | 0 | 10B | 84 BPM | ||
| In the Fall | Snohia | C Major | 1 | 8B | 87 BPM | ||
| Through the Years | Phil Larson | D Major | 2 | 10B | 140 BPM | ||
| KY. | BARTH. | D Major | 0 | 10B | 126 BPM |