Harry James's ' "The Mole" was released on its scheduled release date, January 1, 2008. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. The Mole's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "The Complete Harry James In Hi-Fi". In this album, this song's track order is #16. The popularity of The Mole is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Mole by Harry James having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dancing In The Dark | Artie Shaw | F Major | 1 | 7B | 107 BPM | ||
| Easy Living | Bob Howard | A♭ Major | 1 | 4B | 137 BPM | ||
| Too Marvellous for Words | Carroll Gibbons, The Savoy Hotel Orpheans | D♭ Major | 1 | 3B | 75 BPM | ||
| My Devotion | Vaughn Monroe | C Major | 5 | 8B | 74 BPM | ||
| Sleepy Lagoon (Remastered 2014) | Harry James | E Minor | 1 | 9A | 82 BPM | ||
| You Were Never Lovelier | Paul Whiteman & His Orchestra, Larry Neil | E♭ Major | 1 | 5B | 92 BPM | ||
| Music, Maestro, Please! | Tommy Dorsey & Edythe Wright | F Major | 1 | 7B | 120 BPM | ||
| It Had To Be You | Artie Shaw | G Major | 3 | 9B | 158 BPM | ||
| Poor Butterfly | Benny Goodman | A♭ Major | 2 | 4B | 115 BPM | ||
| They Can't Black Out the Moon | Harry Roy and His Orchestra | A Minor | 4 | 8A | 140 BPM | ||
| Sugar | Lee Wiley | E♭ Major | 1 | 5B | 83 BPM | ||
| A Ghost of a Chance | Lee Wiley | F Major | 0 | 7B | 76 BPM | ||
| Besame Mucho | Jimmy Dorsey | G Minor | 2 | 6A | 140 BPM | ||
| It Was a Lover and His Lass | Maxine Sullivan | B♭ Major | 0 | 6B | 108 BPM | ||
| Blueberry | Jimmy Dorsey | F Minor | 2 | 4A | 114 BPM | ||
| Ain't She Sweet | Jimmie Lunceford | D♭ Major | 2 | 3B | 148 BPM | ||
| The Very Thought Of You (with Harry James and His Orchestra) | Doris Day, Harry James | C Major | 1 | 8B | 112 BPM | ||
| Any Time, Any Day, Anywhere | Lee Wiley | D Major | 5 | 10B | 153 BPM | ||
| Solitude | Charlie Spivak & His Orchestra | G Minor | 1 | 6A | 95 BPM | ||
| She's Got The Blues For Sale (04-21-47) | Billy Eckstine | F Major | 2 | 7B | 136 BPM | ||
| Marie | Tommy Dorsey, Jack Leonard, Bunny Berigan | F Major | 3 | 7B | 166 BPM | ||
| 11:60 P.M. (with Harry James & His Orchestra) | Kitty Kallen, Harry James | F Major | 2 | 7B | 121 BPM | ||
| I'm Beginning To See The Light | Harry James | A♭ Major | 2 | 4B | 115 BPM | ||
| You Better Go Now | Jeri Southern | A♭ Major | 1 | 4B | 72 BPM | ||
| Who's Sorry Now | Bob Crosby & The Bob Cats | D Minor | 5 | 7A | 97 BPM |