"Requiem, Op. 9: VII. Lux aeterna" by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole had its release date on March 1, 2024. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 13 in Duruflé: Requiem; Poulenc: Lenten Motets by The Choir Of Trinity College, Cambridge, Stephen Layton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem, Op. 9: VII. Lux aeterna is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: VII. Lux aeterna by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I. Surge propera amica mea | Ivan Moody, New York Polyphony | E♭ Major | 0 | 5B | 77 BPM | ||
| Out of This Darkness: No. 5, Out of This Darkness | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | D Major | 2 | 10B | 134 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| All-night Vigil, Op. 44: Svete tihiy | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | D Minor | 1 | 7A | 78 BPM | ||
| Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| Trinity Te Deum | Ēriks Ešenvalds, The Choir Of Trinity College, Cambridge, Trinity Brass, Stephen Layton | C Minor | 1 | 5A | 176 BPM | ||
| As torrents in summer | Edward Elgar, Phoenix Chorale, Christopher Gabbitas | B♭ Minor | 1 | 3A | 91 BPM | ||
| COURTESY | Yasuharu Takanashi, NDR Radiophilharmonie, Pop-Up, Michael England | E Major | 2 | 12B | 131 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Ego flos campi | Jacob Clemens non Papa, Sjaella, Josué Meléndez Peláez | G Major | 1 | 9B | 80 BPM | ||
| O Wisdom (O Sapientia - 17 December) | Philip Moore, St Martin's Voices, Andrew Earis | F♯ Minor | 1 | 11A | 83 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Requiem: XIV. Requiem | Alfred Schnittke, NDR Vokalensemble, Klaas Stok, Bernhard Fograscher, Fanis Gioles, Thomas Emanuel Cornelius, Michael Schröder, Sven Gätjens, Eunsol Hong, Yang-Hung Huang | F Major | 0 | 7B | 132 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM | ||
| Requiem: III. Requiem aeternam I | Herbert Howells, The Choir Of Trinity College, Cambridge, Stephen Layton | E Minor | 0 | 9A | 141 BPM | ||
| All Night Vigil, Op. 9: No. 18, Bless The Lord, O My Soul | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 68 BPM | ||
| The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
| William Byrd - Gloria | Quire of Voyces | F Minor | 3 | 4A | 84 BPM | ||
| 23. Psalm | Sjaella | F Major | 1 | 7B | 83 BPM | ||
| Liturgy of St. John Chrysostom: No. 7, Holy God | Benedict Sheehan, The Saint Tikhon Choir | D Major | 1 | 10B | 83 BPM | ||
| Kornets sang | Flemming Weis, Musica Ficta, Bo Holten | D Major | 1 | 10B | 90 BPM | ||
| To Morning | Gabriel Jackson, William Blake, The Choir of Magdalen College, Oxford, Mark Williams | C Major | 2 | 8B | 109 BPM | ||
| Parce mihi, Domine a 8 | Francisco Garro, Cupertinos, Luís Toscano | E Major | 2 | 12B | 131 BPM |