"* Afro" by Camerata Romeu had its release date on June 28, 1905. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. * Afro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Raigal". In this album, this song's track order is #5. Based on our statistics, * Afro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With * Afro by Camerata Romeu having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Little Tragedies, Chapter 2 "Egyptian Nights": Waltz No. 1 | Alfred Schnittke, Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski | D Major | 0 | 10B | 96 BPM | ||
| Elegia III | Jaani Helander | E Minor | 3 | 9A | 167 BPM | ||
| El Mirar de la Maja | Enrique Granados, Kim Kashkashian, Robert Levin | E♭ Major | 0 | 5B | 99 BPM | ||
| Tango en Skai | Roland Dyens, Enno Voorhorst, The String Soloists | A Minor | 1 | 8A | 131 BPM | ||
| The Colors of the Square | Emiliano Albani | D Minor | 3 | 7A | 148 BPM | ||
| O Canto do Cisne Negro | Heitor Villa-Lobos, Antonio Meneses, Celina Szrvinsk | A Minor | 0 | 8A | 73 BPM | ||
| El Amor Brujo: Danza ritual del fuego | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | E Minor | 1 | 9A | 135 BPM | ||
| Sobre El Siglo De Las Luces. Andante Piu Mosso | Camerata Romeu, José María Vitier, Zenaida Romeu | E♭ Major | 2 | 5B | 125 BPM | ||
| Piazzolla: Estaciónes porteñas: No. 4, Primavera porteña | Daniel Barenboim, Rodolfo Mederos, Héctor Console | G Minor | 0 | 6A | 136 BPM | ||
| Danza | Colin Brumby, David Shephard, Julie Haskell | F Minor | 0 | 4A | 108 BPM | ||
| The Winter's Tale, Act I Scene 1: Bohemian Dance | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | A Major | 3 | 11B | 115 BPM | ||
| Masquerade of Falling Leaves | Bheto VN | B♭ Minor | 6 | 3A | 80 BPM | ||
| Violin Sonata No. 3, Op. 25: II. Andante sostenuto e misterioso | George Enescu, Sarah Nemtanu, Chilly Gonzales, Romain Deschamps | A Major | 1 | 11B | 114 BPM | ||
| Sonate pour flûte et piano, Op. 64: IV. Finale. Moderato - Grazioso | Mel Bonis, Mathilde Calderini, Aurèle Marthan | D♭ Minor | 2 | 12A | 111 BPM | ||
| Arlecchino Unmasked | Vanessa Lann, Black Pencil | C Major | 1 | 8B | 96 BPM | ||
| Concerto for Marimba and Orchestra - 1 Greetings | Ney Rosauro | A Minor | 2 | 8A | 145 BPM | ||
| O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM | ||
| Concierto De Aranjuez: 1. Allegro Con Spirito | Paco de Lucía, Orquesta De Cadaques | F Major | 4 | 7B | 89 BPM | ||
| Dance Suite, Sz. 77, BB 86a: III. Allegro vivace - Arr. for Saxophone and Accordion by MZ Duo | Béla Bartók, MZ Duo | B♭ Minor | 6 | 3A | 80 BPM | ||
| Enescu: String Octet in C Major, Op. 7: III. Lentement | George Enescu, Quatuor Ébène, Belcea Quartet | B♭ Minor | 6 | 3A | 80 BPM | ||
| Canciones Reotas No.3 | Camerata Romeu, Leo Brouwer, Zenaida Romeu | F Major | 2 | 7B | 140 BPM | ||
| Sensemayá (1938) | Silvestre Revueltas, Alondra de la Parra, Philharmonic Orchestra of the Americas | F♯ Major | 5 | 2B | 180 BPM | ||
| Fandango: III. Fandanguito | Arturo Márquez, Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers | D Major | 5 | 10B | 68 BPM | ||
| Sertões Veredas VII - Palhaço Na Caravela | Camerata Romeu, Zenaida Romeu | A♭ Major | 1 | 4B | 82 BPM | ||
| Catch-all procedures | Wim Mertens | E Major | 1 | 12B | 94 BPM |