Tom Rhodes's ' "Oh Well, So Long" was released on its scheduled release date, July 28, 2025. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Oh Well, So Long only contains only one song in the album, we like to consider this song as a single. Oh Well, So Long is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Oh Well, So Long by Tom Rhodes having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Age of Believing | Aron Wright | F♯ Minor | 3 | 11A | 57 BPM | ||
| Times Like These | Jake Rose | E Minor | 4 | 9A | 124 BPM | ||
| Aliaa | Kaleida | D Minor | 3 | 7A | 138 BPM | ||
| We Dance to Forget | Orvak | A Minor | 3 | 8A | 135 BPM | ||
| Echoes Now | Tom Rhodes, Colin Coppola | G Major | 5 | 9B | 170 BPM | ||
| Where Is My Mind | Mindy Jones | D♭ Minor | 2 | 12A | 94 BPM | ||
| Sunrise Direction | Ulrich Jannert | G Minor | 5 | 6A | 78 BPM | ||
| Back Home | Luke Beling, Tom Rhodes | C Major | 3 | 8B | 128 BPM | ||
| The Water Lets You In (“Bloodline” Main Title Theme) [Extended] | Book of Fears | G Major | 4 | 9B | 110 BPM | ||
| Devil in Me | IORA | E♭ Minor | 3 | 2A | 95 BPM | ||
| Come together | Hugo Barriol | D♭ Minor | 5 | 12A | 124 BPM | ||
| Finding Out More - Symphonic Version | HAEVN | E♭ Major | 3 | 5B | 126 BPM | ||
| The Fault Lines | David O'Dowda | F♯ Major | 6 | 2B | 76 BPM | ||
| Set Me Free | KELSON | F♯ Minor | 3 | 11A | 182 BPM | ||
| Jungle Full of Ghosts | Johnny Delaware | F Major | 8 | 7B | 117 BPM | ||
| Whiplash | The Night Lands | B Major | 5 | 1B | 163 BPM | ||
| Natural Man | Blue Water Highway | D Major | 3 | 10B | 73 BPM | ||
| Keep Breathing | Peter Katz | D Major | 1 | 10B | 75 BPM | ||
| mistaken for a while - OST Hundertdreizehn | The Gardener & The Tree | E Minor | 3 | 9A | 150 BPM | ||
| Where Did She Go - Alt Version | The Signal Room | D Major | 5 | 10B | 97 BPM | ||
| All That Matters | Blanco White | F Minor | 3 | 4A | 97 BPM | ||
| Catch the Wave | VELVET MOON | D Minor | 5 | 7A | 110 BPM | ||
| Proud as We Are | Daniel Martin Moore | C Major | 5 | 8B | 75 BPM | ||
| We Are | HAEVN | D♭ Minor | 3 | 12A | 101 BPM | ||
| Stay in Dreams | Tom Rhodes, Hustle Standard | D Major | 6 | 10B | 151 BPM |