"Dark Drive" by Brett Rosenberg had its release date on July 11, 2006. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Brett Rosenberg's "Half Light (Original Motion Picture Soundtrack)" album is number 3 out of 29. Dark Drive is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dark Drive by Brett Rosenberg to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hotel Blues | Brett Rosenberg | A Major | 3 | 11B | 112 BPM | ||
| Next To My Diary | Ria Mbanefo | B♭ Major | 3 | 6B | 85 BPM | ||
| The Egg Arrives | Alex Wurman | A Major | 3 | 11B | 138 BPM | ||
| Mika And Kai | Ilan Eshkeri | D Minor | 0 | 7A | 138 BPM | ||
| Town Of Austere ("Fireflies In The Garden") | Alexander Malter, Vincent Trio, Dresdner Sinfoniker, Jonathan Stockhammer | A Minor | 1 | 8A | 120 BPM | ||
| Genesis | Mahwash Faroni, Moowash | A♭ Minor | 2 | 1A | 116 BPM | ||
| Echo | Luzima | A Major | 2 | 11B | 81 BPM | ||
| Thirst | Ana Krstajić, F.A.M.E.'S. Macedonian Radio Symphonic Orchestra | A Minor | 0 | 8A | 101 BPM | ||
| Pulse | Luzima | A Major | 2 | 11B | 85 BPM | ||
| The Hidden Key | Dexter Britain | A♭ Major | 1 | 4B | 120 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| Godspeed | Klaus Badelt | A Minor | 1 | 8A | 118 BPM | ||
| A Man of My Company | Dominik Scherrer | E Minor | 1 | 9A | 133 BPM | ||
| That's What Friends Are For | Hannes De Maeyer, Ruben de Gheselle | E Minor | 1 | 9A | 113 BPM | ||
| Anna Regina | Debbie Wiseman | G Minor | 1 | 6A | 115 BPM | ||
| Crystal Shores | Antonio Esposito | D Major | 1 | 10B | 138 BPM | ||
| Fairy Circles | BBC Concert Orchestra, Sarah Class, Elizabeth Purnell | B♭ Major | 4 | 6B | 83 BPM | ||
| Epilogue Pt. 3 | Danny Bensi and Saunder Jurriaans | C Major | 3 | 8B | 81 BPM | ||
| Títulos Finales | Fernando Velázquez | D Major | 2 | 10B | 113 BPM | ||
| "My Name Is Tom" - Original Motion Picture Soundtrack | Harry Gregson-Williams, London Session Orchestra | E Major | 8 | 12B | 97 BPM | ||
| Trust & Facade | Hollers Gang | E Major | 2 | 12B | 51 BPM | ||
| Donna Says | Brett Rosenberg | D Major | 6 | 10B | 118 BPM | ||
| You Are Not Alone | Angelo Milli | F♯ Minor | 2 | 11A | 68 BPM | ||
| The End | Harald Kloser, Thomas Wander | F Major | 2 | 7B | 102 BPM | ||
| Don't Leave Me Joe | Jocelyn Pook | B♭ Major | 1 | 6B | 129 BPM |