"Afterword" by Shida Shahabi had its release date on October 19, 2018. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Shida Shahabi's "Homes" album is number 8 out of 8. Based on our statistics, Afterword's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Afterword by Shida Shahabi to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| C U Soon | h hunt | F♯ Major | 0 | 2B | 79 BPM | ||
| Tree | Luke Abbott | F Minor | 1 | 4A | 125 BPM | ||
| Lost Forever | Tony Njoku | G Minor | 3 | 6A | 114 BPM | ||
| Lullaby | Roedelius, Arnold Kasar | A Major | 1 | 11B | 100 BPM | ||
| Care Free - Piano Version | Job Roggeveen | F Minor | 0 | 4A | 81 BPM | ||
| Spiritus Naturae Aeternus - Pt. 1 | Dustin O'Halloran, Bryan Senti, Reykjavik Silfur Choir | F♯ Major | 1 | 2B | 94 BPM | ||
| Funadé | Koki Nakano | B Minor | 7 | 10A | 150 BPM | ||
| Waltz | Tony Njoku | E♭ Minor | 3 | 2A | 52 BPM | ||
| Stora Huset | Henrik Lindstrand | E♭ Minor | 0 | 2A | 109 BPM | ||
| Cortège for Clouds | Pêtr Aleksänder | D Minor | 1 | 7A | 77 BPM | ||
| Humming Bird | Felix Rösch | G Minor | 4 | 6A | 110 BPM | ||
| We Became Winter | Vetle Nærø | A♭ Minor | 0 | 1A | 98 BPM | ||
| Everything Is An Illusion | Kaada | F Major | 2 | 7B | 123 BPM | ||
| Piano & Violoncello 8 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 174 BPM | ||
| Every Solstice & Equinox | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | B Minor | 2 | 10A | 135 BPM | ||
| Skreevar | Erland Cooper, Marta Salogni | A Minor | 4 | 8A | 128 BPM | ||
| A Stretch | Gia Margaret | A♭ Major | 1 | 4B | 95 BPM | ||
| Terra | Clem Leek | F Major | 2 | 7B | 142 BPM | ||
| Dancing Waters | Sebastian Plano | D♭ Minor | 1 | 12A | 175 BPM | ||
| Aether | Cedric Vermue | A♭ Minor | 1 | 1A | 66 BPM | ||
| Bristol | Alexandra Hamilton-Ayres, Mara Simpson | G Minor | 1 | 6A | 120 BPM | ||
| Pickieterno | Erland Cooper | C Major | 1 | 8B | 176 BPM | ||
| Atardecer a orillas del mar | Sergio Díaz De Rojas | B Major | 3 | 1B | 184 BPM | ||
| Una copa de vino sobre el piano | Sergio Díaz De Rojas | C Minor | 1 | 5A | 118 BPM | ||
| For Leah | Anne Müller | E Minor | 1 | 9A | 182 BPM |