Charlie Musselwhite's ' "The Blues Overtook Me" was released on its scheduled release date, February 12, 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 10 in Ace Of Harps by Charlie Musselwhite. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Blues Overtook Me's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Blues Overtook Me by Charlie Musselwhite is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Believe I Got Off Cheap | Chris Cain | D Major | 9 | 10B | 97 BPM | ||
| Meaning of the Blues | Omar and The Howlers | D Major | 6 | 10B | 98 BPM | ||
| Groove - Take 2 | Hubert Sumlin | E Major | 4 | 12B | 166 BPM | ||
| Rain On My Mind | Joe Louis Walker | D Major | 5 | 10B | 99 BPM | ||
| Greasy Man | Lonnie Brooks | F Major | 4 | 7B | 81 BPM | ||
| Who Needs It? | Guitar Shorty | A Minor | 9 | 8A | 127 BPM | ||
| Sweet Angel's Gone | William Clarke | G Major | 5 | 9B | 124 BPM | ||
| North County Woman | Doug MacLeod, Denny Croy, Dave Kida, Carl Sonny Leyland | D Major | 5 | 10B | 120 BPM | ||
| Hurry Up And Wait | Little Charlie & The Nightcats | G Major | 5 | 9B | 113 BPM | ||
| I Got Your Number | Guitar Shorty | D Major | 7 | 10B | 105 BPM | ||
| You Won't Have A Problem When I'm Gone | Chris Cain | A Minor | 9 | 8A | 180 BPM | ||
| Lollipop Mama | William Clarke | G Major | 5 | 9B | 91 BPM | ||
| Ninety-Nine and One Half | Tommy Castro | A Major | 6 | 11B | 102 BPM | ||
| Steamy Windows | Shemekia Copeland | B Minor | 6 | 10A | 93 BPM | ||
| Call My Wife | Linsey Alexander | F Major | 8 | 7B | 115 BPM | ||
| My Money's Green | Little Charlie & The Nightcats | D Major | 6 | 10B | 97 BPM | ||
| The Seventh Son | Willie Dixon | B♭ Major | 3 | 6B | 115 BPM | ||
| New Walkin' Blues | Paul Butterfield's Better Days | C Major | 5 | 8B | 112 BPM | ||
| Driftin' from Town to Town | Barrelhouse Chuck & Kim Wilson's Blues All-Stars | D Major | 6 | 10B | 89 BPM | ||
| Looking To The Future | William Clarke | A Major | 6 | 11B | 145 BPM | ||
| Black Cat Bone | Albert Collins, Robert Cray, Johnny Copeland | C Major | 8 | 8B | 98 BPM | ||
| Burnin' Hell | John Lee Hooker, Ben Harper | E Major | 6 | 12B | 106 BPM | ||
| Telephone Is Ringing | William Clarke | C Major | 9 | 8B | 122 BPM | ||
| Dressin' Tasty | Phillip Walker | A♭ Major | 8 | 4B | 131 BPM | ||
| A Man's Got To Do What A Man's Got To Do | Lonnie Brooks | B Minor | 6 | 10A | 103 BPM |