"Last Airport" by Moritz Fasbender had its release date on June 17, 2022. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 4 in the song's album "Rabbits (XXIM:EXPO #4)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Last Airport's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Last Airport by Moritz Fasbender having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An Analog Guy in a Digital World | Martin Roth | A Minor | 5 | 8A | 112 BPM | ||
| Stare ad aspettare | Teho Teardo | A Minor | 3 | 8A | 173 BPM | ||
| Siècle | Superpoze | E Minor | 3 | 9A | 120 BPM | ||
| La fin et le commencement | Mathieu David Gagnon, Flore Laurentienne | G Major | 2 | 9B | 72 BPM | ||
| Tak tak to ja | Grzegorz Ciechowski, Hania Rani, Dobrawa Czocher | G Minor | 1 | 6A | 126 BPM | ||
| Amnesia | Moritz Fasbender | D Major | 1 | 10B | 116 BPM | ||
| Klavierskizze | HOPE | G Minor | 5 | 6A | 112 BPM | ||
| Feel Again | Federico Albanese, Ghostpoet | F Minor | 2 | 4A | 127 BPM | ||
| We Never Kneel To Pray | Melanie De Biasio | B Minor | 3 | 10A | 129 BPM | ||
| Cardinal Point | Superpoze | B Minor | 4 | 10A | 135 BPM | ||
| Letting Go | Rumpistol | A♭ Minor | 2 | 1A | 151 BPM | ||
| Scapes_Spaces - Single Edit | Kai Schumacher, Moritz Fasbender | E Minor | 3 | 9A | 144 BPM | ||
| Boardwalk | Federico Albanese | F Minor | 3 | 4A | 120 BPM | ||
| Quatere | Mario Batkovic | D Major | 6 | 10B | 102 BPM | ||
| Loved Ones | Hauschka | C Major | 1 | 8B | 134 BPM | ||
| Three Armed Men Leaving My House | Moritz Fasbender | A Major | 6 | 11B | 120 BPM | ||
| Slow Twitchy Organs | Nico Muhly, James McVinnie | A♭ Major | 3 | 4B | 65 BPM | ||
| Gavotte | Christian Löffler | D Major | 1 | 10B | 100 BPM | ||
| Atari Besenstiel | Fortuna Ehrenfeld | A Minor | 8 | 8A | 151 BPM | ||
| Maria durch ein Dornwald ging | Oehl, Isaac Knapp, Rafael Denkmayr | D Minor | 1 | 7A | 85 BPM | ||
| Circle 19 - Midori Hirano Rework | Robot Koch, Foam and Sand, Midori Hirano | B♭ Minor | 3 | 3A | 100 BPM | ||
| Perseids | Laura Masotto, Ryan Teague | C Major | 1 | 8B | 71 BPM | ||
| Non Fiction: II.I Tenebroso | Hania Rani, Manchester Collective, Jack Wyllie, Valentina Magaletti, Hugh Tieppo-Brunt | D Minor | 0 | 7A | 70 BPM | ||
| Warum | Felsmann + Tiley | G Minor | 3 | 6A | 118 BPM | ||
| Interlude 2 | Niklas Paschburg | A♭ Major | 0 | 4B | 109 BPM |