"Alfonsina y El Mar" by Roland Dyens had its release date on April 5, 1993. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 12 in Alba Nera by Roland Dyens. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, Alfonsina y El Mar's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alfonsina y El Mar by Roland Dyens is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alfonsina y el Mar - Zamba | Jorge Cardoso | E Minor | 1 | 9A | 127 BPM | ||
| Sèmmarèzio | Alessandro Butera | E♭ Major | 0 | 5B | 50 BPM | ||
| Cueca chilena | Antonio Lauro, Victor Villadangos | G Minor | 1 | 6A | 139 BPM | ||
| Fugue From Violin Sonata No. 1 | Johann Sebastian Bach, Christopher Parkening | A Major | 1 | 11B | 76 BPM | ||
| Sonidos de aquel dia | Quique Sinesi, Sharon Isbin, Stanley Jordan | D Major | 3 | 10B | 100 BPM | ||
| Torre Bermeja | Isaac Albéniz, David Russell | E Minor | 2 | 9A | 100 BPM | ||
| Préludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin (Arr. for Guitar) | Claude Debussy, Paul Galbraith | E♭ Major | 0 | 5B | 50 BPM | ||
| Suite del recuerdo: Chacarera | Jose Luis Merlin, Jason Vieaux | E Minor | 2 | 9A | 113 BPM | ||
| Cançó i dansa No. 10 (Version for Guitar): II. Dansa. Amabile | Federico Mompou, Eugenio Della Chiara | D Major | 2 | 10B | 109 BPM | ||
| 4 Piano Pieces: No. 2. Fandango del ventorrillo (arr. P. Romero) | Jérémy Jouve | F Minor | 1 | 4A | 120 BPM | ||
| Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
| Castillos de España II: No. 1, Turegano | Federico Moreno Torroba, Ana Vidović | E Major | 1 | 12B | 93 BPM | ||
| Chôros No. 1, W161 | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 93 BPM | ||
| 4 piezas cristalinas: No. 3, Verde alma | Maximo Diego Pujol, Emmanuel Rossfelder | A Major | 2 | 11B | 108 BPM | ||
| Tango Suite: 2. Andante | Sergio & Odair Assad | C Major | 0 | 8B | 75 BPM | ||
| Prélude, Op. 10 | Mel Bonis, Rosie Bennet | E♭ Major | 0 | 5B | 50 BPM | ||
| Suite del Plata No. 1: III. Milonga | Maximo Diego Pujol, Nick Cutroneo | C Major | 3 | 8B | 122 BPM | ||
| Granada | Isaac Albéniz, Simon Dinnigan | E Major | 0 | 12B | 100 BPM | ||
| Bolero in A Minor | Julian Arcas, Andrea González Caballero | A Minor | 0 | 8A | 83 BPM | ||
| Bachianinha No. 1 | Paulinho Nogueira, Arash Ahmadi | A Minor | 2 | 8A | 153 BPM | ||
| Un Dia de Noviembre | Leo Brouwer, Laura Mazon Franqui | A Minor | 1 | 8A | 117 BPM | ||
| Istro Ti | Nello Milotti, Viktor Vidovic, Ana Vidović | A Major | 2 | 11B | 123 BPM | ||
| Suite del recuerdo: Carnavalito - Evocacion - Joropo | Jose Luis Merlin, Jason Vieaux | B Minor | 2 | 10A | 98 BPM | ||
| Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VI. Les sauvages (Arr. M. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | G Minor | 1 | 6A | 98 BPM | ||
| Agua e vinho | Sergio & Odair Assad | G Minor | 0 | 6A | 92 BPM |