Ray Fuller's ' "Work To Do - feat. Phil Perry" was released on its scheduled release date, January 1, 2004. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Weeper". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Work To Do - feat. Phil Perry is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Work To Do - feat. Phil Perry by Ray Fuller having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Night in St. Petersburg | Ilya Serov, Kay-Ta Matsuno | F Major | 6 | 7B | 180 BPM | ||
| Last Seat Eastbound | Flow Tone | E Minor | 6 | 9A | 96 BPM | ||
| Cool Like That | Gregory Goodloe, Bob Baldwin | G Major | 6 | 9B | 105 BPM | ||
| En la esquina | Zypheron | F Minor | 5 | 4A | 93 BPM | ||
| Babadoo | Jazz Holdouts | D Major | 7 | 10B | 95 BPM | ||
| Deep Pockets | Phillip Doc Martin | B Major | 4 | 1B | 80 BPM | ||
| When You Smile (feat. Randy Scott) | Michael Broening, Randy Scott | F Minor | 7 | 4A | 100 BPM | ||
| Un sofá y la luna | Nach | F Minor | 5 | 4A | 93 BPM | ||
| Soul Expedition | Keith Andrew | B Minor | 8 | 10A | 111 BPM | ||
| L.V. Shuffle | Everette Harp | F Minor | 6 | 4A | 118 BPM | ||
| Next To You | Alfonzo Blackwell | G Minor | 8 | 6A | 89 BPM | ||
| Joy Jam - Radio Edit | The Allen Carman Project, Phillippe Saisse | A Minor | 8 | 8A | 102 BPM | ||
| Canvas of Strangers | Oddframe | F Minor | 5 | 4A | 93 BPM | ||
| Turn It Up | LeBron | F Minor | 6 | 4A | 114 BPM | ||
| The High Road | Will Donato | G Major | 7 | 9B | 89 BPM | ||
| Shadows in the Sun | mistersantos | B♭ Minor | 6 | 3A | 125 BPM | ||
| Emerald Eyes | Pamela Williams | D Minor | 8 | 7A | 109 BPM | ||
| Forever Grey | Dave Bradshaw Jr. | D♭ Major | 7 | 3B | 105 BPM | ||
| B's Mood | Bobby Lyle | B♭ Minor | 5 | 3A | 83 BPM | ||
| Summer Nights | Rob Zinn, Michael Paulo | A Minor | 7 | 8A | 110 BPM | ||
| Ducie's Groove | Nate White | B♭ Minor | 8 | 3A | 102 BPM | ||
| 91 North | Rahni Song | G Minor | 6 | 6A | 166 BPM | ||
| Deep Dive | Will Donato | F Minor | 8 | 4A | 110 BPM | ||
| Refill, Please | Noite Morna | F Minor | 5 | 4A | 93 BPM | ||
| Smooth Talk | Dee Brown | B♭ Minor | 6 | 3A | 200 BPM |