"Number Systems" by David Arnold, Michael Price had its release date on January 30, 2012. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Sherlock (Soundtrack from the TV series)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Number Systems is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Number Systems by David Arnold, Michael Price having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fire - Instrumental | Rachel Portman | B♭ Minor | 0 | 3A | 65 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM | ||
| Double Room | David Arnold, Michael Price | D Major | 1 | 10B | 86 BPM | ||
| New Direction | Tom Tykwer, Johnny Klimek, Reinhold Heil | D♭ Major | 3 | 3B | 92 BPM | ||
| Crows Ambushed | Joseph Trapanese | G Major | 5 | 9B | 121 BPM | ||
| Finale | Henry Jackman, Matthew Margeson | C Minor | 5 | 5A | 99 BPM | ||
| Mr. President | Jeff Beal | B♭ Major | 2 | 6B | 82 BPM | ||
| The Assassin Two-Step | Austin Wintory, Assassin's Creed | A Minor | 5 | 8A | 116 BPM | ||
| The Mycroft Suite | Hans Zimmer | B Major | 0 | 1B | 122 BPM | ||
| Won't Let Go | Tom Tykwer, Johnny Klimek, Reinhold Heil | D♭ Major | 4 | 3B | 83 BPM | ||
| 0-8-4 | Bear McCreary | D♭ Major | 5 | 3B | 80 BPM | ||
| Clock Tick | Abel Korzeniowski | D♭ Minor | 1 | 12A | 126 BPM | ||
| The War Of Succession | Trevor Morris | E Minor | 3 | 9A | 74 BPM | ||
| Alien DNA | Bear McCreary | B Major | 2 | 1B | 85 BPM | ||
| Locomotives | Ruth Barrett | A♭ Minor | 4 | 1A | 94 BPM | ||
| U-Boats | Alexandre Desplat, London Symphony Orchestra | A Minor | 3 | 8A | 180 BPM | ||
| Mystified | James Dooley | E Major | 5 | 12B | 130 BPM | ||
| Finale - The Sword in the Stone | Rohan Stevenson | B♭ Minor | 1 | 3A | 91 BPM | ||
| Arrival In London | Nick Urata | C Major | 4 | 8B | 121 BPM | ||
| Light-fingered | David Arnold, Michael Price | B♭ Major | 2 | 6B | 112 BPM | ||
| Market Chase | Joseph Trapanese | B♭ Major | 4 | 6B | 81 BPM | ||
| Knives Out! (String Quartet in G Minor) | Nathan Johnson | G Major | 3 | 9B | 115 BPM | ||
| Tom Dies | Dominik Scherrer | A Minor | 1 | 8A | 78 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Adieu | Tom Tykwer, Johnny Klimek, Reinhold Heil | D♭ Major | 2 | 3B | 166 BPM |