Christ Is Made the Sure Foundation by Henry Purcell, John Rutter, John Scott, City of London Sinfonia, The Cambridge Singers Song Details

"Christ Is Made the Sure Foundation" by Henry Purcell, John Rutter, John Scott, City of London Sinfonia, The Cambridge Singers had its release date on August 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Sing, Ye Heavens: Hymns for All Time". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Christ Is Made the Sure Foundation's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Christ Is Made the Sure Foundation by Henry Purcell, John Rutter, John Scott, City of London Sinfonia, The Cambridge Singers having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Music Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -23.848 dB
Acousticness: 93%
Danceability: 19%
Energy: 9%
Instrumentalness: 2%
Liveness: 10%
Loudness: 60%
Speechiness: 4%
Valence: 5%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	2	7A	145 BPM
Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears")	William Byrd, Shani Diluka	D Minor	0	7A	134 BPM
Dido and Aeneas, Z. 626: Overture	Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble	B Minor	2	10A	91 BPM
Sonata in C Minor, Jung III.2.B: I. Largo	Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki	B Minor	1	10A	96 BPM
Symphony No. 3 in C Major, Op. 2, "the Chaplet": II. Vivace	William Boyce, Aradia Ensemble, Kevin Mallon	B Major	0	1B	82 BPM
Concerto a cinque No. 2, Op. 9: II. Adagio	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	A Major	1	11B	45 BPM
The Tempest, Z. 631, "The Enchanted Island": Masque Of Spirits, Act II, No. 3(Trio and Chorus)	Thomas Shadwell, Gillian Keith, Rosemarie van der Hooft, Paul Grindlay, Brett Polegato, Nils Brown, Meredith Hall, Aradia Ensemble, Michael Colvin, John Dryden, Henry Purcell	D♭ Major	1	3B	59 BPM
Salve Regina in C minor (1736): 4. Et Jesum	Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood	A Major	1	11B	95 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Strozzi: Arie, Op. 8 No. 6: "Che si può fare"	Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro	C Major	1	8B	73 BPM
L'Orfeo, Prologo: Ritornello - Dal mio permesso amato	Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Le Concert Des Nations	D Minor	1	7A	89 BPM
Dido and Aeneas: Overture	Henry Purcell, English Chamber Orchestra, Raymond Leppard	C Minor	3	5A	147 BPM
Les tendres plaintes	Jean-Philippe Rameau, Víkingur Ólafsson	D Minor	0	7A	110 BPM
Concerto in D Minor; Op. 6 No. 5: I. Largo	Charles Avison, Café Zimmermann	D♭ Minor	1	12A	134 BPM
Purcell: Dido and Aeneas, Z. 626, Act II: Thanks to These Lonesome Vales	Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby	F♯ Major	1	2B	77 BPM
Laudate pueri: Quis sicut Dominus (Salmo 112), RV 600	Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Gemma Bertagnolli	A Minor	0	8A	77 BPM
Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa	Antonio Vivaldi, Philippe Jaroussky, Artaserse	B♭ Major	0	6B	76 BPM
Les Boréades / Act IV: Entrée de Polymnie - Live	Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski	G Major	1	9B	94 BPM
Stabat Mater: 3. O quam tristis	Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson	G Minor	1	6A	80 BPM
Requiem in C Minor: II. Graduale	Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala	G Minor	1	6A	105 BPM
The Fairy Queen, Z. 629: Act I: Scene Of The Drunken Poet	The Scholars Baroque Ensemble, Elkanah Settle, Henry Purcell	E Major	2	12B	117 BPM
Laudate pueri in G Major, RV 601 "Salmo 112": III. A solis ortu (Andante)	Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari	A♭ Major	1	4B	128 BPM
Matthäus-Passion, BWV 244: Erbarme dich mein Gott	Yo-Yo Ma, Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra	B♭ Minor	1	3A	91 BPM
The Fairy Queen, Z. 629: Prelude	Henry Purcell, Vox Orchester, Lorenzo Ghirlanda	F♯ Minor	4	11A	113 BPM
Sonata in D Minor, K. 9	Domenico Scarlatti, Ivo Pogorelich	D Minor	0	7A	94 BPM