"Midnight Ballet" by Steve Martin had its release date on January 2, 1988. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Midnight Ballet's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Osborne's "Intruders" album is number 13 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Midnight Ballet is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Midnight Ballet by Steve Martin to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let The Rest Of The World Go By | John Barry | G Major | 1 | 9B | 69 BPM | ||
| So Many Ways | Brook Benton | B♭ Major | 3 | 6B | 114 BPM | ||
| Return to Sender | Nicola Congiu | A♭ Major | 7 | 4B | 137 BPM | ||
| Whatcha Gonna Do | Bill Massey | B♭ Major | 5 | 6B | 139 BPM | ||
| Oh What a Night for Love | The Velvet Candles | E♭ Major | 9 | 5B | 196 BPM | ||
| Fool For You | Steve Martin | C Major | 5 | 8B | 165 BPM | ||
| Pine Top Boogie | Bobby Mizzell | E♭ Major | 7 | 5B | 157 BPM | ||
| What I Like About You - Jive / 43 BPM | The Dancelife Orchestra | B♭ Major | 8 | 6B | 172 BPM | ||
| A Lotta What You Got | Dana Gillespie | F Minor | 8 | 4A | 201 BPM | ||
| Then Only Then | Walter Jackson | D Minor | 7 | 7A | 118 BPM | ||
| Swimming | Ruth Barrett, Jon Wygens | C Major | 2 | 8B | 79 BPM | ||
| Hey! Baby | Bruce Channel | F Minor | 7 | 4A | 158 BPM | ||
| Gods of Love | Si Cranstoun | D♭ Minor | 9 | 12A | 105 BPM | ||
| Oh Carol! | Los Mustang (F) | A♭ Major | 6 | 4B | 134 BPM | ||
| Hey! Baby | Bruce Channel | E Major | 6 | 12B | 132 BPM | ||
| Let's Twist Again | Chubby Checker | E♭ Major | 6 | 5B | 162 BPM | ||
| Baby I Want You (vox) | Jay Glover, Dominic Glover, Gary James Crockett, Lucy Jules | F Major | 6 | 7B | 125 BPM | ||
| I Wanna Dance | Orquesta Mondragon | A Major | 8 | 11B | 132 BPM | ||
| You Got What It Takes | Marv Johnson | B♭ Major | 2 | 6B | 174 BPM | ||
| Five Foot Two, Eyes of Blue | Joe Loss & His Orchestra | D Major | 4 | 10B | 96 BPM | ||
| The One I Want | Electric Nana | A♭ Major | 10 | 4B | 160 BPM | ||
| Lion's Den | Steve Martin | B Minor | 9 | 10A | 120 BPM | ||
| Bye Bye Paris | Ray Collins' Hot Club | G Major | 7 | 9B | 158 BPM | ||
| All Shook Up | The Rock and Rollers | F Minor | 3 | 4A | 74 BPM | ||
| Hallelujah, I Love Him So | Timi Yuro | F Minor | 6 | 4A | 79 BPM |