"Concertino for Guitar and Orchestra in A Minor, Op. 72: IV. Rondo" by Salvador Bacarisse, Karin Schaupp, Benjamin Northey, Tasmanian Symphony Orchestra had its release date on January 2, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Spain: Great Guitar Concertos". In this album, this song's track order is #14. Based on our statistics, Concertino for Guitar and Orchestra in A Minor, Op. 72: IV. Rondo's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Concertino for Guitar and Orchestra in A Minor, Op. 72: IV. Rondo by Salvador Bacarisse, Karin Schaupp, Benjamin Northey, Tasmanian Symphony Orchestra having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | ||
| Capricho Español, Op. 34 - Remasterizado | Nikolai Rimsky-Korsakov, Luis Cobos, Orquesta Sinfónica de Moscu | F Major | 4 | 7B | 99 BPM | ||
| Concert Grosso for String Orchestra "Palladio": Allegretto | Karl Jenkins, Ara Malikian | D Minor | 4 | 7A | 88 BPM | ||
| El Sombrero de tres picos, Parte II: Danza de los vecinos. Seguidillas | Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado | D Major | 2 | 10B | 93 BPM | ||
| España | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Hervé Niquet | F Major | 3 | 7B | 117 BPM | ||
| Salve Regina | Federico Jusid, Orquesta Sinfónica de Radiotelevisión Española (RTVE), Coro de Radiotelevisión Española (RTVE) | E Minor | 2 | 9A | 127 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
| Concierto Andaluz for 4 Guitars and Orchestra: 1. Tiempo de Bolero | Joaquín Rodrigo, Los Romeros, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 4 | 11B | 144 BPM | ||
| Elevazione for Solo Oboe, Solo Cello, Strings and Organ (Arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Cavatina (Arr. for Guitar by John Williams) | Stanley Myers, Pablo Sainz Villegas | E Major | 0 | 12B | 77 BPM | ||
| Symphony No. 101 in D Major, Hob. I:101 "The Clock": II. Andante | Joseph Haydn, Royal Concertgebouw Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 141 BPM | ||
| Doña Francisquita, Act III: Fandango | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá | F Major | 3 | 7B | 101 BPM | ||
| El Amor Brujo: Danza del Fuego | Orquesta Sinfónica De Radio Hamburgo, Manuel de Falla, Oscar Bustonovich | G Major | 3 | 9B | 147 BPM | ||
| La Romanza | ESENCIA FLAMENCA | F Minor | 3 | 4A | 140 BPM | ||
| La Verbena de la Paloma, Act I: Prélude | Tomás Bretón, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | E Major | 0 | 12B | 96 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 1 | 7B | 95 BPM | ||
| Falla: La vida breve, Act II, Cuadro I: Danza española | Manuel de Falla, Rafael Frühbeck de Burgos, Lucero Tena, Orquesta Nacional De España | A Minor | 3 | 8A | 105 BPM | ||
| Introducción, Variaciones y Coda | Salvador Bacarisse, Joan Enric Lluna, Juan Carlos Garvayo | A Major | 1 | 11B | 74 BPM | ||
| Variations sur “Jeux interdits” | Alexandre Lagoya, Orchestre De La Camerata De France, Daniel Tosi | E Major | 2 | 12B | 123 BPM | ||
| Petite Suite - III Largo - Salvador Bacarisse | Salvador Bacarisse, Al Pérez | E Minor | 0 | 9A | 69 BPM | ||
| La vida breve: Danza No. 1 | Manuel de Falla, Lucero Tena, Orquesta de Conciertos de Madrid | B♭ Major | 9 | 6B | 111 BPM | ||
| Granada Op. 47, No. 1 - Transcription Segovia | Isaac Albéniz, Göran Söllscher | A Minor | 1 | 8A | 109 BPM | ||
| Albinoni: Concerto a cinque in C Major, Op. 10 No. 3: II. Adagio | Tomaso Albinoni, Claudio Scimone, Piero Toso, I Solisti Veneti | A Minor | 2 | 8A | 86 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 126 BPM | ||
| String Quintet No. 60 in C Major, G. 324 "La musica notturna delle strade di Madrid": I. Il campane quando suonano l'Ave Maria | Luigi Boccherini, Cuarteto Casals, Eckart Runge | C Major | 1 | 8B | 103 BPM |