Mathis Der Maler, 4th Tableau, Scene 5: Wagen wollen, was ein Wille (Mathis)
Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra
Hindemith: Mathis der Maler
2:36 April 1, 1995
BPM
174
Key
B Minor
Camelot
10A

Embed

Share Link

Mathis Der Maler, 4th Tableau, Scene 5: Wagen wollen, was ein Wille (Mathis) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra Song Details

Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's 'Mathis Der Maler, 4th Tableau, Scene 5: Wagen wollen, was ein Wille (Mathis)' had a release date set for April 1, 1995. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Mathis Der Maler, 4th Tableau, Scene 5: Wagen wollen, was ein Wille (Mathis)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 15 out of 61. The popularity of Mathis Der Maler, 4th Tableau, Scene 5: Wagen wollen, was ein Wille (Mathis) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Mathis Der Maler, 4th Tableau, Scene 5: Wagen wollen, was ein Wille (Mathis) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Music Key

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-13.769 dB
Acousticness
97%
Danceability
26%
Energy
34%
Instrumentalness
0%
Liveness
37%
Loudness
77%
Speechiness
5%
Valence
31%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraSchoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version)Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraD Major110B82 BPM
Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) by Nadia Boulanger, WindSyncPrelude in F Minor (Arr. for Wind Quintet by Kara LaMoure)Nadia Boulanger, WindSyncD Major110B104 BPM
Elegie I. In Memoriam: Adagio by Lodewijk Mortelmans, Brussels Philharmonic, Silveer VandenbroeckElegie I. In Memoriam: AdagioLodewijk Mortelmans, Brussels Philharmonic, Silveer VandenbroeckD Major110B104 BPM
Violin Concerto No. 2 in D Minor, Op. 61: III. Allegramente by Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice AntonioniniViolin Concerto No. 2 in D Minor, Op. 61: III. AllegramenteKarol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice AntonioniniG Major39B89 BPM
Symphonic Dances, Op. 64: III. Allegro giocoso by Edvard Grieg, Bergen Philharmonic Orchestra, Edward GardnerSymphonic Dances, Op. 64: III. Allegro giocosoEdvard Grieg, Bergen Philharmonic Orchestra, Edward GardnerA Major111B172 BPM
Violin Concerto: II. Sonata by Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic BacsViolin Concerto: II. SonataMaya Badian, Florin Paul, Romanian National Orchestra, Ludovic BacsG Minor26A94 BPM
Piano Concerto No. 1, BB 91, Sz. 83: III. Allegro molto by Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc FricsayPiano Concerto No. 1, BB 91, Sz. 83: III. Allegro moltoBéla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc FricsayB Major21B150 BPM
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot. Scherzo by Paul Hindemith, San Francisco Symphony, Herbert BlomstedtSymphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot. ScherzoPaul Hindemith, San Francisco Symphony, Herbert BlomstedtA Minor28A92 BPM
Symphony No. 2 in B Minor: II. Scherzo by Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic OrchestraSymphony No. 2 in B Minor: II. ScherzoAlexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic OrchestraF Major17B83 BPM
Abendstern, D. 806 (Arr. X. van Dijk for String Quartet) by Franz Schubert, Signum QuartetAbendstern, D. 806 (Arr. X. van Dijk for String Quartet)Franz Schubert, Signum QuartetG Minor06A85 BPM
Pulcinella, K 034: II. Serenata by Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre LliurePulcinella, K 034: II. SerenataIgor Stravinsky, Josep Pons, Orquestra De Cambra Teatre LliureC Minor05A77 BPM
Chamber Symphony No. 5 in A-Flat Major, Op. 118a: I. Andante by Dmitri Shostakovich, Yuli Turovsky, I Musici de MontréalChamber Symphony No. 5 in A-Flat Major, Op. 118a: I. AndanteDmitri Shostakovich, Yuli Turovsky, I Musici de MontréalD♭ Major03B106 BPM
Symphony No. 1, Op. 9: III. Andante tranquillo by Samuel Barber, Leonard Slatkin, St. Louis SymphonySymphony No. 1, Op. 9: III. Andante tranquilloSamuel Barber, Leonard Slatkin, St. Louis SymphonyB♭ Major36B93 BPM
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro by Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre BoulezPiano Concerto in F-Sharp Minor, Op. 20: I. AllegroAlexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre BoulezD Major110B86 BPM
Viola Sonata: II. Vivace by Rebecca Clarke, Philip Dukes, Sophia RahmanViola Sonata: II. VivaceRebecca Clarke, Philip Dukes, Sophia RahmanE Major012B118 BPM
Dutilleux: Au gré des ondes: I. Prélude en berceuse by Henri Dutilleux, Anne QueffélecDutilleux: Au gré des ondes: I. Prélude en berceuseHenri Dutilleux, Anne QueffélecC Major08B75 BPM
Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto by Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael KubelíkSinfonietta, JW VI/18: II. The Castle, Brno. Andante – AllegrettoLeoš Janáček, Bavarian Radio Symphony Orchestra, Rafael KubelíkA♭ Minor21A144 BPM
Sonate, Op. 71: II. Nocturne – Presque adagio by Charles Koechlin, Julien Hardy, Simon ZaouiSonate, Op. 71: II. Nocturne – Presque adagioCharles Koechlin, Julien Hardy, Simon ZaouiE♭ Major05B77 BPM
Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato by Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko FranckDeux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. ModeratoEinojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko FranckA Minor18A92 BPM
Kodály: Duo for Violin and Cello, Op. 7: II. Adagio (Live at Saratoga Performing Arts Centre, 1998) by Zoltán Kodály, Truls Mørk, Chantal JuilletKodály: Duo for Violin and Cello, Op. 7: II. Adagio (Live at Saratoga Performing Arts Centre, 1998)Zoltán Kodály, Truls Mørk, Chantal JuilletD Major110B104 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo by Francis Poulenc, James Conlon, Rotterdam Philharmonic OrchestraPoulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppoFrancis Poulenc, James Conlon, Rotterdam Philharmonic OrchestraE♭ Major15B103 BPM
5 Pieces for String Quartet: No. 5, Alla Tarantella by Erwin Schulhoff, Aviv Quartet5 Pieces for String Quartet: No. 5, Alla TarantellaErwin Schulhoff, Aviv QuartetA Minor28A80 BPM
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato by Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude CasadesusOrgan Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitatoFrancis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude CasadesusB♭ Minor03A133 BPM
Oscher: Rapsodia latina: I. Guajira by Efraín Oscher, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de ParisOscher: Rapsodia latina: I. GuajiraEfraín Oscher, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de ParisD Minor27A78 BPM
Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: II. Nun Laube, Lindlein, Laube - Fugato: Der Gutzgauch auf dem Zaune saß by Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony OrchestraDer Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: II. Nun Laube, Lindlein, Laube - Fugato: Der Gutzgauch auf dem Zaune saßPaul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony OrchestraA Major011B112 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records