Rajeev Raj Aditya's ' "Janmon Se Bhatki Huee Naav" was released on its scheduled release date, August 28, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Shani Kripa". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. In terms of popularity, Janmon Se Bhatki Huee Naav is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Janmon Se Bhatki Huee Naav by Rajeev Raj Aditya having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bandi Bulave Has Has Ke | Bijal Khan Mehar | D Major | 8 | 10B | 90 BPM | ||
| Piya Pardesiya | Devinder Kohinoor | D Major | 5 | 10B | 119 BPM | ||
| Doli Mein Jaane Wali | Devinder Kohinoor | E♭ Minor | 6 | 2A | 117 BPM | ||
| Jaikara Jaikara Shyam Prabhu Ka | Sanju Sharma | G Major | 8 | 9B | 140 BPM | ||
| Patthar Ke Sanam | Vipin Sachdeva | B♭ Major | 6 | 6B | 105 BPM | ||
| Jag Ja O Bhi Jag | Saint Dr Gurmeet Ram Rahim Singh Ji Insan | A♭ Minor | 6 | 1A | 96 BPM | ||
| Shri Man Narayan Hari Bhaj Man Narayan Hari | Chetna | G Major | 8 | 9B | 98 BPM | ||
| Tura Mohini Khawae | Chaya Chandrakar | D♭ Major | 8 | 3B | 92 BPM | ||
| Hay Re Tor Surta | Anurag Sharma | B♭ Major | 8 | 6B | 135 BPM | ||
| Hota Hai Hota Hai | Ram Shankar | A♭ Major | 6 | 4B | 80 BPM | ||
| JHULAT HE MAATH MA LATAA | Gorelal Barman | F Major | 8 | 7B | 147 BPM | ||
| Arji Hamari Marji Tumhri | Vijay Soni | G Minor | 8 | 6A | 90 BPM | ||
| Nibua Utare Koi | Shahnaz Akhtar | D♭ Major | 6 | 3B | 105 BPM | ||
| Chola Churat Rahige | Gorelal Barman | F Major | 7 | 7B | 138 BPM | ||
| Laagi Chhoote Na Ab To Sanam | Sadhana Sargam, Vipin Sachdeva | F♯ Minor | 6 | 11A | 86 BPM | ||
| Barah Barash Ke Baad Baad Phir | Rajeev Raj Aditya | A♭ Major | 6 | 4B | 150 BPM | ||
| Shri Ram Stuti | Anand Kumar C. | F♯ Major | 6 | 2B | 95 BPM | ||
| Mera Hota Hai Kaam | Rajeev Raj Aditya | A♭ Major | 6 | 4B | 128 BPM | ||
| Choti Choti Gaiya Chote Chote Gwal | Rashmi Yogini | F♯ Minor | 8 | 11A | 108 BPM | ||
| Vrindavan Ke Baanke Bihari | Anuradha Paudwal | B♭ Minor | 5 | 3A | 92 BPM | ||
| Laal Laal Chunni Tera Chola Bhi Hai Laal | Kavita Paudwal | C Minor | 7 | 5A | 91 BPM | ||
| Sai Sai Japa Karo Sai Naam Ras Piya Karo | Paras Jain | E♭ Minor | 9 | 2A | 148 BPM | ||
| Sada Suhagan Mata Tu Hai | Narendra Chanchal | D♭ Major | 7 | 3B | 117 BPM | ||
| Hum Tere Shahar Mein Aaye Hai - Live | Kumar Satyamm | B♭ Minor | 6 | 3A | 117 BPM | ||
| Mahakal Ke Jesa Koi Nahi | Shahnaz Akhtar | C Major | 8 | 8B | 99 BPM |