Nishantala Surya Prakash Rao & Gopika Poornima's ' "Thira Samire" was released on its scheduled release date, May 1, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Nishantala Surya Prakash Rao & Gopika Poornima's "Jayadev's Ashtapadis Volume 1" album is number 2 out of 9. On top of that, United States appears to be the country where this track was created. The popularity of Thira Samire is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Thira Samire by Nishantala Surya Prakash Rao & Gopika Poornima to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| durgā sūktam | Shantala Sriramaiah | E Major | 3 | 12B | 142 BPM | ||
| Jay Maa Joy Maa Sarada | Debasish Dutta | D♭ Major | 4 | 3B | 80 BPM | ||
| బిల్వాష్టకం | Sasidhar Darla | G Major | 3 | 9B | 171 BPM | ||
| Shree Siddha Mangal Stotra | Kamalakar Tapasvi | D♭ Major | 6 | 3B | 80 BPM | ||
| Bhagavad Gita Adhyay, Pt. 13 | Shrirang Bhave | E♭ Major | 2 | 5B | 79 BPM | ||
| Vandhanam | Soumya Manoj | B Minor | 4 | 10A | 93 BPM | ||
| Pavamanasuktam | Govindarajan, Malola Kannan | B Major | 5 | 1B | 112 BPM | ||
| Sri Subramanyswara | Nishantala Surya Prakash Rao & Gopika Poornima | F Major | 1 | 7B | 76 BPM | ||
| Maha Mrutyunjaya Stotram | Malola Kannan, J Bhakthavatsalam | C Major | 4 | 8B | 174 BPM | ||
| Chandrashekhara Ashtakam | Vallari Ambekar, Shri Vivek Godbole, Inner Splendor | E Major | 2 | 12B | 69 BPM | ||
| Sri Gayatri Stotram | K.S. Surekha | A Minor | 5 | 8A | 151 BPM | ||
| Mrit sanjivan kavcham | kartik ojha | B♭ Major | 5 | 6B | 103 BPM | ||
| Rudri Path- Adhyay 9 | Divya Jyoti Jagrati Sansthan | A♭ Major | 5 | 4B | 141 BPM | ||
| Purusakutham | Malola Kannan, Govindarajan | D♭ Major | 6 | 3B | 133 BPM | ||
| Sri Hanumanth Bhujangam | Malola Kannan | C Major | 8 | 8B | 114 BPM | ||
| Guruvandanam | Prasath Sai, Kumari Chaitra, Vijaya Lakshmi | G Major | 2 | 9B | 130 BPM | ||
| Bai Bai Tanaka | Sheshagiridas Raichur | F Major | 6 | 7B | 80 BPM | ||
| Ganesha Runahara Stotram | Shankara Sastry | F Minor | 4 | 4A | 93 BPM | ||
| Ganesa Astotram | Veeramanidasan | F Major | 3 | 7B | 98 BPM | ||
| Ganapathi Atharva Shirsham | Brahmasri Vedamurthy Purohitha Nagaraja Bhat, Vidwan Shashidhara Bhat, Sri Shivarama Jois | D♭ Major | 8 | 3B | 110 BPM | ||
| Guru Stothram | Sri Hari Atchutha Rama Sastry | C Major | 3 | 8B | 106 BPM | ||
| Stothra Kadambam | T. S. Aswini Sastry, T. S. Rohini Sastry | D Major | 9 | 10B | 160 BPM | ||
| Smitavandana | Nishantala Surya Prakash Rao & Gopika Poornima | C Major | 4 | 8B | 142 BPM | ||
| Gauri Gauri Gange | Yogi Hari | D♭ Major | 5 | 3B | 172 BPM | ||
| Na Eda Kovelalo | Amma | B♭ Minor | 5 | 3A | 131 BPM |