- BPM
- 100
- Key
- C Minor
- Camelot
- 5A
Return to the One - Instrumental by Essential Band Song Details
Essential Band's ' "Return to the One - Instrumental" was released on its scheduled release date, August 2, 2019. This song is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 4 out of 10 in Flight to Light Meditation Songs (Instrumental) by Essential Band. Going off of the ISRC code of this track, we detected that the origin of this track is from South Africa. In terms of popularity, Return to the One - Instrumental is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
The tempo marking of Return to the One - Instrumental by Essential Band is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.464 dB
- Acousticness
- 17%
- Danceability
- 52%
- Energy
- 55%
- Instrumentalness
- 75%
- Liveness
- 22%
- Loudness
- 74%
- Speechiness
- 3%
- Valence
- 55%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Solomon, HWV 67: Arrival of the Queen of Sheba (Allegro) | George Frideric Handel, José-Luis Garcia, English Chamber Orchestra | B♭ Major | 2 | 6B | 109 BPM | |
 | Waltz No. 2 in A Minor, Op. 34 | Frédéric Chopin, Dubravka Tomšič | B Major | 0 | 1B | 81 BPM | |
 | Suite Bergamasque: III. Clair de Lune | Peter Schmalfuss | D♭ Major | 0 | 3B | 130 BPM | |
 | Clarinet Concerto in K | Lima Musica | D Major | 0 | 10B | 80 BPM | |
 | Xerxes, HWV 40: Largo ("Ombra mai fu") | London Symphony Orchestra | E♭ Major | 2 | 5B | 131 BPM | |
 | Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | |
 | Trois Gymnopédies: I. Lent Et Douloureux | Erik Satie, Wolfgang Sieber | D Major | 0 | 10B | 73 BPM | |
 | Symphonie No. 2 en ré majeur, Op. 11: Presto | Joseph Boulogne Chevalier de Saint-Georges, Orchestre de Chambre de Versailles, Bernard Wahl, Anne-Claude Villars | D Major | 1 | 10B | 146 BPM | |
 | Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | Frédéric Chopin, Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | A♭ Major | 1 | 4B | 91 BPM | |
 | Songs Without Words, Op. 30: No. 6, Venezianisches Gondellied (Allegretto tranquillo) | Felix Mendelssohn, Henrik Måwe | E Major | 0 | 12B | 72 BPM | |
 | Concerto No. 4 in F minor, Op. 8, RV 297, "L'inverno" (Winter): II. Largo | Antonio Vivaldi, Alberto Lizzio, Musici di San Marco | B♭ Major | 1 | 6B | 67 BPM | |
 | Carmen, Opera Suite No. 2: III. Nocturne (Aria de Michaela Act 3) | London Festival Orchestra, Alfred Scholz | E♭ Major | 1 | 5B | 67 BPM | |
 | The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non moto | Karoly Botvay | G Minor | 1 | 6A | 132 BPM | |
 | Liebestraum No. 3 in A flat, S.541 No. 3 | Franz Liszt, Claudio Arrau | A♭ Major | 1 | 4B | 124 BPM | |
 | Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | |
 | Offenbach & Rosenthal: Gaîté parisienne: XX. Can-can, scène 4 | Jacques Offenbach, Manuel Rosenthal, Orchestre de l'Opéra de Monte-Carlo | C Minor | 1 | 5A | 75 BPM | |
 | Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM | |
 | Serse (Xerxes), HWV 40: Act I. Ombra mai fu "Largo" | London Symphony Orchestra | G Major | 1 | 9B | 88 BPM | |
 | Concerto for 2 Oboes in F Major, Op. 9, No. 3: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 112 BPM | |
 | Aquarium | St. Mark's Philharmonic Orchestra | A Minor | 0 | 8A | 132 BPM | |
| Sinfonia in B minor, RV 169, "Al Santo Sepolcro": II. Allegro ma poco | Karoly Botvay | B Minor | 0 | 10A | 74 BPM | |
| Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | |
 | Toccata and Fugue in D Minor BWV 565 | Hamburg Symphony Orchestra | D Minor | 1 | 7A | 91 BPM | |
 | Giselle - Act 2: No. 15 Grand pas de deux: a) Andante | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | A♭ Major | 1 | 4B | 116 BPM | |
 | Barber: Adagio for Strings, Op. 11 | Samuel Barber, Scottish Chamber Orchestra, Jukka-Pekka Saraste | B♭ Minor | 0 | 3A | 83 BPM |
- ISRC
- ZAVP02006204
- Label
- L-M Records/RCA Records