Trio a flauto, violin e basso in C Minor, HWV 386a: IV. Allegro by George Frideric Handel, Maurice Steger, La Cetra Song Details

George Frideric Handel, Maurice Steger, La Cetra's ' "Trio a flauto, violin e basso in C Minor, HWV 386a: IV. Allegro" was released on its scheduled release date, April 26, 2019. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Trio a flauto, violin e basso in C Minor, HWV 386a: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maurice Steger, La Cetra's "Mr Handel's Dinner" album is number 30 out of 31. In terms of popularity, Trio a flauto, violin e basso in C Minor, HWV 386a: IV. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

We consider the tempo marking of Trio a flauto, violin e basso in C Minor, HWV 386a: IV. Allegro by George Frideric Handel, Maurice Steger, La Cetra to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -12.74 dB
Acousticness: 94%
Danceability: 41%
Energy: 26%
Instrumentalness: 0%
Liveness: 14%
Loudness: 79%
Speechiness: 4%
Valence: 69%

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