Alberto Marino's ' "La Tarde del Adios" was released on its scheduled release date, April 10, 2012. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. La Tarde del Adios's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Roots of Tango - Mi Tango Triste". In this album, this song's track order is #14. Based on our statistics, La Tarde del Adios's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Tarde del Adios by Alberto Marino having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Melodia de Nuestro Adios | Francisco Lomuto, Jorge Omar | D Minor | 1 | 7A | 133 BPM | ||
| Farolito de papel | Alberto Marino | A Major | 4 | 11B | 105 BPM | ||
| Flores Negras I | Julio De Caro | E Major | 3 | 12B | 114 BPM | ||
| Corrientes y Esmeralda | La Juan D'Arienzo | E Major | 5 | 12B | 135 BPM | ||
| El Viejo Vals | Francisco Rotundo | D Major | 3 | 10B | 119 BPM | ||
| Sin Estrellas | Nina Miranda, Donato Racciatti y Su Orquesta Típica | A Minor | 5 | 8A | 126 BPM | ||
| Oigo Tu Voz | Orquesta Típica Tanturi, Hugo Araujo | D♭ Major | 2 | 3B | 148 BPM | ||
| Luna de arrabal - Estilo Ricardo Tanturi | SEXTETO VISCERAL | E Major | 4 | 12B | 98 BPM | ||
| No Te Quiero Más | Juan D'Arienzo and his Orchestra, Mario Bustos | B Minor | 5 | 10A | 125 BPM | ||
| Mi Dolor | Julio De Caro | D Minor | 2 | 7A | 115 BPM | ||
| Tiempos Viejos | Francisco Canaro Y Su Orquesta | D Minor | 3 | 7A | 127 BPM | ||
| Milonga del Adiós en Re menor | JEIRI SONJ | D Major | 3 | 10B | 119 BPM | ||
| Farol | Aníbal Troilo Y Su Orquesta Típica | D Minor | 4 | 7A | 123 BPM | ||
| Adiós Pueblo | Orquesta Típica Tanturi | B♭ Major | 3 | 6B | 129 BPM | ||
| Tú!... el cielo y tú! | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
| Jiron de suburbio | Ricardo Tanturi y Enrique Campos | G Minor | 3 | 6A | 122 BPM | ||
| Qué Me Pasará (Vals) | Angel D'Agostino | F Major | 2 | 7B | 98 BPM | ||
| Por que regresas tú | Orquesta Carlos di Sarli, Roberto Florio | A Major | 3 | 11B | 170 BPM | ||
| Para Que Te Quiero Tanto | Domingo Federico | D Major | 3 | 10B | 119 BPM | ||
| La Madrugada | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| Quiero Verte una Vez Más | Pablo Ramos & los Herederos del Compás | F♯ Minor | 5 | 11A | 130 BPM | ||
| Mi Noche Triste | Alfredo de Angelis Y Su Orquesta Tipica, Juan Carlos Godoy | D Minor | 4 | 7A | 115 BPM | ||
| Llueve Otra Vez | Pedro Laurenz, Carlos Bermúdez | D Major | 3 | 10B | 119 BPM | ||
| Reliquias Porteñas | Bandonegro | E Minor | 2 | 9A | 105 BPM | ||
| Yo No Sé Por Qué Te Quiero | Ernesto Fama, Francisco Canaro Y Su Orquesta Tipica | A♭ Major | 2 | 4B | 112 BPM |