"Nemesis Final Metamorphosis" by Capcom Sound Team had its release date on September 22, 1999. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 86 in the song's album "Resident Evil 3 Nemesis Original Soundtrack". In this album, this song's track order is #31. Furthermore, we believe that the track originated from Japan. Based on our statistics, Nemesis Final Metamorphosis's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nemesis Final Metamorphosis by Capcom Sound Team having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missile Approaching | Capcom Sound Team | F Major | 3 | 7B | 135 BPM | ||
| Chicago | Rich Douglas | D Minor | 7 | 7A | 160 BPM | ||
| Encounter | Rich Douglas | A Minor | 10 | 8A | 140 BPM | ||
| World Tour | Jurther | B Minor | 1 | 10A | 125 BPM | ||
| Sherry's Theme | Capcom Sound Team | F Minor | 1 | 4A | 65 BPM | ||
| Trisection | 崎元 仁 | A Minor | 4 | 8A | 130 BPM | ||
| 「The Troops' Advance」 from DISSIDIA FINAL FANTASY | 石元 丈晴 | A Major | 7 | 11B | 120 BPM | ||
| ”Two of them. One for each of us!” - El Gigante | 大本望美 | F♯ Major | 8 | 2B | 85 BPM | ||
| Elder God - 2021 Remaster | Dan Forden | G Major | 7 | 9B | 144 BPM | ||
| ZERO | Kinuyo Yamashita | A Minor | 10 | 8A | 134 BPM | ||
| Dr. Neo Cortex Warped | Vicarious Visions Audio | A♭ Major | 9 | 4B | 160 BPM | ||
| DOPPLER STAGE 1 | Kinuyo Yamashita | F♯ Major | 10 | 2B | 196 BPM | ||
| CAST ROLL | Kinuyo Yamashita | A♭ Major | 9 | 4B | 149 BPM | ||
| Into Madness | Akiyuki Morimoto | F Minor | 3 | 4A | 76 BPM | ||
| Wham. Gotcha! | Nick Arundel | B Minor | 7 | 10A | 145 BPM | ||
| Air Kombat - 2021 Remaster | Dan Forden | D♭ Major | 6 | 3B | 120 BPM | ||
| Undercover | Gigi Meroni | A♭ Major | 7 | 4B | 160 BPM | ||
| Theme of Kage | Masahiro Aoki | D♭ Minor | 10 | 12A | 128 BPM | ||
| Perfect Dark: dataDyne Central: Defection | Rare All-Stars, Graeme Norgate | A Major | 6 | 11B | 119 BPM | ||
| The Tomb - 2021 Remaster | Dan Forden | G Major | 4 | 9B | 112 BPM | ||
| Nut Moon | Edgar Rothermich | G Minor | 5 | 6A | 148 BPM | ||
| Floating In-Between | Miwako Chinone | F♯ Major | 0 | 2B | 73 BPM | ||
| The City of Chaos | Takayasu Sodeoka | B Minor | 10 | 10A | 154 BPM | ||
| Evil Eye - HR Remix | 講本一郎 | G Major | 9 | 9B | 153 BPM | ||
| Baile de la muerte - Ramón Salazar | 大本望美 | B♭ Minor | 6 | 3A | 77 BPM |