Swaroop Bhalwankar, Raj Barman's ' "Shehar Mein Bewafa" was released on its scheduled release date, April 13, 2023. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Shehar Mein Bewafa only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Shehar Mein Bewafa's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Shehar Mein Bewafa by Swaroop Bhalwankar, Raj Barman having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tuch Maay Baap Swami Tu | Suresh Wadkar,Dr. Jay Ajgaonkar | D♭ Major | 6 | 3B | 99 BPM | ||
| India Meri Jaan | Swaroop Bhalwankar, Aneira | D♭ Major | 8 | 3B | 130 BPM | ||
| Pranamya Shrisa Devam (Ganesh Stotra) | Shrirang Bhave | E Major | 4 | 12B | 98 BPM | ||
| Om Vrishabhanujaya Namah | Pure Bhakti Melody | D Minor | 3 | 7A | 110 BPM | ||
| Shri Bhaanudulaari Aarti | Jagadguru Shri Kripalu Ji Maharaj | A♭ Major | 4 | 4B | 132 BPM | ||
| durgā sūktam | Shantala Sriramaiah | E Major | 3 | 12B | 142 BPM | ||
| Mumbai Chi Kolin Bai | Swaroop Bhalwankar, Sangeeta Karjana | D Major | 8 | 10B | 95 BPM | ||
| Runa Vimochana Angaraka Sthosthram | Banglore Sisters | F♯ Minor | 4 | 11A | 76 BPM | ||
| Trisharan | Surykirti | D♭ Major | 3 | 3B | 83 BPM | ||
| Shri Manibhadra Veer Stuti | Manan Shah | B♭ Major | 3 | 6B | 78 BPM | ||
| Govinda Krishna Jai | Swami Swatmaramananda | B Major | 7 | 1B | 132 BPM | ||
| Surya Upanishath | D.V. Ramani, Ramu.N.Prakash | B♭ Major | 3 | 6B | 137 BPM | ||
| Lord Hanuman 12 Names | Jatin | D Minor | 4 | 7A | 134 BPM | ||
| Shri Swami Samarth Suprabhatam | Sujata Dutt, Sunita Prakash, Prsenjeet, Padmakar Kurkute, Arjun Ingle | F Major | 5 | 7B | 190 BPM | ||
| Swami Samarth Stavan | Dhanashree Deshpande | B♭ Major | 2 | 6B | 138 BPM | ||
| Sai Dhun | Swaroop Bhalwankar | E Major | 3 | 12B | 135 BPM | ||
| Siva Ashtothara Sathanamam | Nishantala Surya Prakash Rao | A Major | 5 | 11B | 171 BPM | ||
| Ganesh Mantra Dhun Chant | Vishal Khera | E♭ Major | 5 | 5B | 146 BPM | ||
| Darshan Paath | Arohi Anil Agarkar | F♯ Minor | 7 | 11A | 82 BPM | ||
| Ye Din Bhi Dhallenge | Sudesh Bhosle, Vaishali Samant, Swaroop Bhalwankar, Jaanvee Prabhu Arora, Kirti Killedar | C Major | 4 | 8B | 96 BPM | ||
| Dnynoba Mauli Tukaram | Jayteerth Mevundi | D Major | 4 | 10B | 180 BPM | ||
| Nirguname Nee Guname | Sri Ganapathy Sachchidananda Swamiji | C Major | 6 | 8B | 140 BPM | ||
| Sanjeevan Samadhi Sohala Abhang - From "Sant Dnyaneshwaranchi Muktaai" | Suvarna Rathod, Nandesh Umap, Nidhi Hegde, Raghunandan Panshikar, Ajay Purkar | G Major | 5 | 9B | 91 BPM | ||
| Kaal Har Kasht Har Har Har Mahadev | Hirak Subhra Naha | A Major | 7 | 11B | 175 BPM | ||
| Asmin Paraathman 11 times | Sukeerti Ranganathan | B Major | 8 | 1B | 130 BPM |