アラム・イリイチ・ハチャトゥリアン, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団's 'バレエ音楽「ガイーヌ」より ばらの乙女たちの踊り' had a release date set for September 18, 1999. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. バレエ音楽「ガイーヌ」より ばらの乙女たちの踊り's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 日本ステレオ初期名盤選 - 1 ロシア管弦楽曲集, so we believe that "バレエ音楽「ガイーヌ」より ばらの乙女たちの踊り" is a single. In terms of popularity, バレエ音楽「ガイーヌ」より ばらの乙女たちの踊り is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of バレエ音楽「ガイーヌ」より ばらの乙女たちの踊り by アラム・イリイチ・ハチャトゥリアン, 渡邉暁雄, 日本フィルハーモニー交響楽団, 財団法人 日本フィルハーモニー交響楽団 is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture to the Opera Taras Bulba: Sostenuto e maestoso - Allegro non troppo | Mykola Lysenko, Beethoven Orchester Bonn, Stefan Blunier | C Minor | 3 | 5A | 167 BPM | ||
| 剣の舞 | アラム・イリイチ・ハチャトゥリアン, 伊賀あゆみ, 山口雅敏 | C Major | 4 | 8B | 96 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Un ballo in maschera / Act 2: Preludio | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Piú mosso | Gustav Mahler, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| Brahms: Hungarian Dances, WoO 1: No. 5 in G Minor (Orch. Parlow) | Johannes Brahms, Sir Charles Mackerras, Philharmonia Orchestra | C Major | 3 | 8B | 94 BPM | ||
| Petrouchka: Valse la ballerine et le maure | Ferenc Fricsay, Berliner Philharmoniker | F♯ Major | 3 | 2B | 149 BPM | ||
| 「マドンナの宝石」 間奏曲 第1番 | エルマンノ・ヴォルフ・フェラーリ, 岩城宏之, NHK交響楽団 | F Major | 1 | 7B | 126 BPM | ||
| Cinderella, Op. 87, Act II: The Stepsister's Dance | Sergei Prokofiev, WDR Sinfonieorchester Köln, Michail Jurowski | A♭ Major | 3 | 4B | 91 BPM | ||
| Gayane Suite No. 3: I. The Hunt - Andante | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 2 | 10B | 92 BPM | ||
| Polovtsian Dances from Prince Igor: V. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: III. Friar Laurence | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | F Major | 0 | 7B | 92 BPM | ||
| La source, ou Naila: Suite No. 3: Suite No. 3: Finale | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 66 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| 酋長の行列 〜組曲「コーカサスの風景」作品10より | Mikhail Ippolitov-Ivanov, Sir Charles Groves, フィルハーモニア管弦楽団 | E Major | 1 | 12B | 173 BPM | ||
| Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | G Major | 1 | 9B | 122 BPM | ||
| Lyric Suite, Op. 54: II. Gangar (Norwegian March): Allegretto marciale | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 0 | 10B | 83 BPM | ||
| Stravinsky: Fireworks, Op. 4 | Igor Stravinsky, Melbourne Symphony Orchestra, Hiroyuki Iwaki | E Major | 2 | 12B | 62 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Symphony No. 1 in D Major, D. 82: IV. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Nikolaus Harnoncourt | D Major | 2 | 10B | 133 BPM | ||
| Perlen der Liebe, Walzer, Op. 39 | Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker | D Major | 1 | 10B | 134 BPM | ||
| バレエ組曲「白鳥の湖」~スペインの踊り(チャイコフスキー) | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | F♯ Minor | 4 | 11A | 147 BPM | ||
| II. Cinderella and the Prince | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Major | 1 | 8B | 96 BPM | ||
| 弦楽のためのセレナード ハ長調 OP.48 第3楽章 エレジー | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | D Major | 1 | 10B | 84 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": III. Poco adagio quasi andante | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | D♭ Major | 3 | 3B | 95 BPM |