Miki Imai's ' "Boogie-Woogie Lonesome High-Heel" was released on its scheduled release date, June 21, 1989. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Miki Imai's "MOCHA under a full moon" album is number 3 out of 9. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Boogie-Woogie Lonesome High-Heel is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Boogie-Woogie Lonesome High-Heel by Miki Imai to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ただ泣きたくなるの | 中山美穂 | B♭ Major | 7 | 6B | 174 BPM | ||
| Winter Square | Yoshitaka Minami | G Major | 6 | 9B | 99 BPM | ||
| 微熱かナ | Maiko Ito | B Minor | 6 | 10A | 107 BPM | ||
| WANDER | 障子久美 | A Minor | 7 | 8A | 104 BPM | ||
| 1000 Love Songs - 2022 Remaster | Carlos Toshiki And Omega Tribe | E Minor | 8 | 9A | 89 BPM | ||
| 接近 | Yoko Minamino | E♭ Minor | 7 | 2A | 109 BPM | ||
| ブルー | Machiko Watanabe | A Minor | 6 | 8A | 145 BPM | ||
| 予期せぬ出来事 | Akira Terao | D Major | 5 | 10B | 89 BPM | ||
| The Stardust Memory | Kyoko Koizumi | E♭ Major | 7 | 5B | 145 BPM | ||
| 内気なキューピッド | 島田奈美 | D♭ Major | 6 | 3B | 124 BPM | ||
| Wonderland 夕闇 City | 二名敦子 | E Minor | 5 | 9A | 204 BPM | ||
| 波止場 | Yoshitaka Minami | A Minor | 7 | 8A | 204 BPM | ||
| どうして好きといってくれないの - 2022 Remaster | Carlos Toshiki And Omega Tribe | D Major | 9 | 10B | 131 BPM | ||
| リボンがほどけない | Minako Honda | F Minor | 5 | 4A | 119 BPM | ||
| デビュー 〜Fly Me To Love〜 | Naoko Kawai | G Minor | 7 | 6A | 139 BPM | ||
| NEW SEASON - 2012 Remaster | Chisato Moritaka | A Major | 8 | 11B | 126 BPM | ||
| DISTANCE | Miki Imai | B♭ Major | 3 | 6B | 152 BPM | ||
| 夜行列車 | Mayumi Itsuwa | D Minor | 6 | 7A | 125 BPM | ||
| あまく危険な香り | Yasushi Nakanishi | F♯ Major | 5 | 2B | 80 BPM | ||
| テネシー・ワルツ | Yasuhiro Abe | G Major | 6 | 9B | 133 BPM | ||
| さよならを言わせて~Let Me Say Good Bye~ | Yuko Imai | F♯ Major | 6 | 2B | 125 BPM | ||
| 海岸へおいでよ | Bread And Butter | B♭ Major | 6 | 6B | 109 BPM | ||
| ロンリー・チャップリン | Kiyomi Suzuki, Rats & Star | A♭ Major | 8 | 4B | 113 BPM | ||
| Heart to Heart | Mariya Takeuchi | D♭ Major | 4 | 3B | 96 BPM | ||
| ピエロ | Takako Okamura | E Major | 6 | 12B | 133 BPM |