Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov's 'Rigoletto, Act II, Caro nome, Rigoletto, Act IV: La donna e mobile (Arr. For orchestra)' had a release date set for January 1, 1996. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Orchestral Music - Verdi, G. / Mozart, W.A. / Puccini, G. (Symphonic Opera)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Rigoletto, Act II, Caro nome, Rigoletto, Act IV: La donna e mobile (Arr. For orchestra)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto, Act II, Caro nome, Rigoletto, Act IV: La donna e mobile (Arr. For orchestra) by Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| En El Bello Danubio Azul | George Henkla | D Major | 2 | 10B | 104 BPM | ||
| Vier Jahreszeiten - Herbst - III. La caccia | I Solisti di Zagreb, Alexander Perovsky | C Major | 0 | 8B | 147 BPM | ||
| Marcha Turca | Ronald Valentino | A Minor | 7 | 8A | 122 BPM | ||
| Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
| Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
| Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
| The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
| Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": I. Allegro | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | G Major | 1 | 9B | 136 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Tico Tico No Fubá | Zequinha De Abreu, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 5 | 7B | 123 BPM | ||
| Radetzky March, Op. 228 | Johann Strauss I, Győr Philharmonic Orchestra, Janos Sandor | A Major | 5 | 11B | 112 BPM | ||
| Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
| Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
| IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
| Persischer Marsch | Johann Strauss Orchester | G Minor | 3 | 6A | 117 BPM | ||
| Otto Allins Tromme-Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | G Major | 3 | 9B | 86 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
| On the Hills of Manchuria | Ilya Alekseevich Shatrov, First Separate Exemplary Orchestra of USSR Defense Ministry, Nikolai Nazarov | F♯ Major | 10 | 2B | 136 BPM | ||
| The Comedians, Op. 26: Galop | Dimitri Kabelevsky, Berlin Symphonic Orchestra, Gerhard Becker | C Major | 0 | 8B | 97 BPM | ||
| Aida - Coro Y Marcha Triunfal | Giuseppe Verdi, La Orquesta Y Coros Del Festival De Praga | E♭ Major | 2 | 5B | 75 BPM | ||
| Jazz Suite No. 2: IV. Waltz I | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
| Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM |