On 1937, the song "In An 18th Century Drawing Room" was released by Raymond Scott. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. In An 18th Century Drawing Room's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "The Music Of Raymond Scott: Reckless Nights And Turkish Twilights". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, In An 18th Century Drawing Room is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With In An 18th Century Drawing Room by Raymond Scott having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wimoweh (Mbube) | Yma Sumac | A♭ Major | 3 | 4B | 115 BPM | ||
| My Blue Heaven | Gene Austin | E♭ Major | 0 | 5B | 66 BPM | ||
| Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
| Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
| Trilogy | Don Shirley | A♭ Major | 3 | 4B | 134 BPM | ||
| It's Just the Time for Dancing | Henry Hall, The BBC Dance Orchestra | C Major | 3 | 8B | 126 BPM | ||
| Water Boy | Don Shirley Trio | C Major | 1 | 8B | 116 BPM | ||
| Computer In Love | Perrey and Kingsley | B♭ Minor | 5 | 3A | 160 BPM | ||
| Do You Know the Way to San Jose (Take 15) | Vince Guaraldi | F Major | 6 | 7B | 127 BPM | ||
| Primitive London 1 | Basil Kirchin | F Minor | 6 | 4A | 176 BPM | ||
| Fidgety Feet | Fletcher Henderson | A♭ Major | 3 | 4B | 115 BPM | ||
| Grainger: Country Gardens (Orch. Artok) | Percy Grainger, Light Music Society Orchestra, Sir Vivian Dunn | D♭ Major | 0 | 3B | 81 BPM | ||
| Workaday World | Jack Beaver | F Minor | 6 | 4A | 156 BPM | ||
| The 37th Secret - Radio Version, 1942 | Raymond Scott, The Captivators | A♭ Major | 3 | 4B | 115 BPM | ||
| Cry Baby Cry | Ramsey Lewis | C Major | 5 | 8B | 81 BPM | ||
| Honeymoon Swoon | Werner Tautz | A♭ Major | 4 | 4B | 87 BPM | ||
| Elite Synchopations (1902) | Scott Joplin, Joshua Rifkin | F Major | 2 | 7B | 100 BPM | ||
| Lament I, "Bird's Lament" - Instrumental | Louis Hardin, Moondog | G Major | 5 | 9B | 122 BPM | ||
| The Ragtime Nightingale | Joseph Lamb | E♭ Major | 1 | 5B | 135 BPM | ||
| The Homeless Wanderer | Emahoy Tsege Mariam Gebru | F Minor | 1 | 4A | 89 BPM | ||
| Go Away Little Girl | Percy Faith & His Orchestra | G Major | 4 | 9B | 123 BPM | ||
| Clowin' The Frets | Los Angeles Biltmore Hotel Trio | B♭ Major | 4 | 6B | 115 BPM | ||
| Alma, Corazón y Vida | Frankie Reyes | C Minor | 1 | 5A | 100 BPM | ||
| La bataille de neige | Domenique Dumont | A Minor | 5 | 8A | 133 BPM | ||
| The Mind Electric in 31edo | Deister Orchestra | A♭ Major | 3 | 4B | 115 BPM |