"Quartet No. 1, Op. 20: II. Vivacissimo" by Alberto Ginastera, Miami String Quartet, Felicia Moye, Cathy Meng Robinson, Chauncey Patterson, Keith Robinson had its release date on January 1, 1994. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 9 in Alberto Ginastera, Miami String Quartet by Alberto Ginastera, Miami String Quartet, Felicia Moye, Cathy Meng Robinson. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Quartet No. 1, Op. 20: II. Vivacissimo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quartet No. 1, Op. 20: II. Vivacissimo by Alberto Ginastera, Miami String Quartet, Felicia Moye, Cathy Meng Robinson, Chauncey Patterson, Keith Robinson is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: III. Adagio | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | A Minor | 0 | 8A | 86 BPM | ||
| Panambi, Op. 1: Danza de los guerreros (Warriors' dance) | Alberto Ginastera, London Symphony Orchestra, Gisele Ben-Dor | D Major | 6 | 10B | 144 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| Impromptu No.3 in A Flat Major, Op.34 | Gabriel Fauré, Pascal Rogé | A Minor | 1 | 8A | 82 BPM | ||
| Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
| Estancia, Op. 8: La doma (Rodeo) | Alberto Ginastera, Luis Gaeta, London Symphony Orchestra, Gisele Ben-Dor | C Major | 5 | 8B | 108 BPM | ||
| 3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
| Le triomphe de Bacchus, L. 38, CD 33: I. Divertissement. Allegro (Version for Piano 4 Hands) | Claude Debussy, Genova and Dimitrov Piano Duo | E Major | 3 | 12B | 104 BPM | ||
| 2 Pieces, Op. 12: No. 1, Petite ballade | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 1 | 9B | 90 BPM | ||
| Chabrier: Habanera | Emmanuel Chabrier, Pierre Barbizet | F Major | 1 | 7B | 118 BPM | ||
| Beach: Romance for Violin and Piano, Op. 23 | Amy Beach, Augustin Hadelich, Orion Weiss | A Major | 1 | 11B | 84 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 81 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 48 BPM | ||
| Piano Sonata No.3 in F sharp minor, Op.23: 1. Drammatico | Alexander Scriabin, Vladimir Ashkenazy | B Major | 2 | 1B | 66 BPM | ||
| Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
| Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 96 BPM | ||
| Violin Concerto In D Major, Op. 35: II. Romance: Andante | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 87 BPM | ||
| Préludes / Book 1, L.117: 2. Voiles | Claude Debussy, Pierre-Laurent Aimard | C Minor | 0 | 5A | 138 BPM | ||
| 25 Preludes, Op. 64: No. 9 in E Major: Andantino | César Cui, Jeffrey Biegel | E Major | 0 | 12B | 66 BPM | ||
| Soirées musicales, Op. 6: No. 2, Nocturne | Clara Schumann, Mika Sasaki | F Major | 0 | 7B | 71 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| Consolation No. 2 in E Major, S. 172/2 | Franz Liszt, Vladimir Horowitz | E Major | 0 | 12B | 50 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
| Estancia, Op. 8a: II. Danza del trigo | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | C Major | 0 | 8B | 87 BPM |